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</style><table class="infobox vcard plainlist"><tbody><tr><th colspan="2" class="infobox-above" style="color: #202122;background-color: #b0c4de; font-size: 125%;"><div class="fn org">Vision Eternel</div></th></tr><tr><td colspan="2" class="infobox-image"><span typeof="mw:File"></span><div class="infobox-caption">Vision Eternel photographed at Mortified Studios in Wexford, Quebec, Canada on July 22, 2018.</div></td></tr><tr><th colspan="2" class="infobox-header" style="color: #202122;background-color: #b0c4de">Background information</th></tr><tr><th scope="row" class="infobox-label"><span class="nowrap">Also known as</span></th><td class="infobox-data nickname">Vision Éternel</td></tr><tr><th scope="row" class="infobox-label">Origin</th><td class="infobox-data"><a href="Edison%2C_New_Jersey" title="Edison, New Jersey">Edison</a>, <a href="New_Jersey" title="New Jersey">New Jersey</a>, U.S.</td></tr><tr><th scope="row" class="infobox-label">Genres</th><td class="infobox-data"><style data-mw-deduplicate="TemplateStyles:r1129693374">
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</style><div class="hlist"><ul><li><a href="Ambient_music" title="Ambient music">Ambient</a><sup id="cite_ref-InvisibleOrangesForFarewellofNostalgiaPremiere_1-0" class="reference"><a href="#cite_note-InvisibleOrangesForFarewellofNostalgiaPremiere-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-NewNoiseMagazineBandcampoftheDay_2-0" class="reference"><a href="#cite_note-NewNoiseMagazineBandcampoftheDay-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup></li><li><a href="Ethereal_wave" title="Ethereal wave">ethereal</a><sup id="cite_ref-IdioteqInterview2020_3-0" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheNoiseBeneaththeSnowInterview2020_4-0" class="reference"><a href="#cite_note-TheNoiseBeneaththeSnowInterview2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup></li><li><a href="Post-rock" title="Post-rock">post-rock</a><sup id="cite_ref-TheSpillMagazineForFarewellofNostalgiaReview_5-0" class="reference"><a href="#cite_note-TheSpillMagazineForFarewellofNostalgiaReview-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-HeadphoneCommuteForFarewellofNostalgiaReview_6-0" class="reference"><a href="#cite_note-HeadphoneCommuteForFarewellofNostalgiaReview-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup></li><li><a href="Shoegaze" title="Shoegaze">shoegaze</a><sup id="cite_ref-InvisibleOrangesForFarewellofNostalgiaPremiere_1-1" class="reference"><a href="#cite_note-InvisibleOrangesForFarewellofNostalgiaPremiere-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-ReGenMagazineSometimesinAbsence_7-0" class="reference"><a href="#cite_note-ReGenMagazineSometimesinAbsence-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup></li></ul></div></td></tr><tr><th scope="row" class="infobox-label">Works</th><td class="infobox-data"><a href="Vision_Eternel_discography" title="Vision Eternel discography">Vision Eternel discography</a></td></tr><tr><th scope="row" class="infobox-label"><span class="nowrap">Years active</span></th><td class="infobox-data">2007–2025</td></tr><tr><th scope="row" class="infobox-label">Labels</th><td class="infobox-data"><div class="hlist"><ul><li>Abridged Pause</li><li>Beverina</li><li>Casus Belli</li><li>Coup Sur Coup</li><li><a href="Dedicated_Records" title="Dedicated Records">Dedicated</a></li><li>Dornwald</li><li>Feather Witch</li><li>Frozen Veins</li><li><a href="Fruits_de_Mer_Records" title="Fruits de Mer Records">Fruits de Mer</a></li><li>Geertruida</li><li>Mortification</li><li><a href="Somewherecold_Records" title="Somewherecold Records">Somewherecold</a></li><li>Valse Sinistre</li><li>Winterreich</li></ul></div></td></tr><tr><th colspan="2" class="infobox-header" style="color: #202122;background-color: #b0c4de"></th></tr><tr><th scope="row" class="infobox-label"><span class="nowrap">Past members</span></th><td class="infobox-data">
<ul><li>Alexander Julien</li>
<li>Philip Altobelli</li>
<li>Nidal Mourad</li>
<li>Adam Kennedy</li></ul>
</td></tr><tr><th colspan="2" class="infobox-header" style="color: #202122;background-color: #b0c4de"></th></tr><tr><th scope="row" class="infobox-label">Website</th><td class="infobox-data"><span class="url"><a rel="nofollow" class="external text" href="https://www.visioneternel.com">www<wbr>.visioneternel<wbr>.com</a></span> </td></tr></tbody></table>
<p><b>Vision Eternel</b> (originally spelled and stylized as <b>Vision Éternel</b>) was a Canadian-American <a href="Ambient_rock" class="mw-redirect" title="Ambient rock">ambient rock</a> band.<sup id="cite_ref-ExclaimSometimesinAbsence_8-0" class="reference"><a href="#cite_note-ExclaimSometimesinAbsence-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheObeliskInterview2020_9-0" class="reference"><a href="#cite_note-TheObeliskInterview2020-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheSpillMagazineInterview2021_10-0" class="reference"><a href="#cite_note-TheSpillMagazineInterview2021-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> Formed by guitarist Alexander Julien in <a href="Edison%2C_New_Jersey" title="Edison, New Jersey">Edison, New Jersey</a>, United States in January 2007,<sup id="cite_ref-ItsPsychedelicBabyMagazineInterview2020_11-0" class="reference"><a href="#cite_note-ItsPsychedelicBabyMagazineInterview2020-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheSpillMagazineInterview2024_12-0" class="reference"><a href="#cite_note-TheSpillMagazineInterview2024-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> the band eventually relocated to <a href="Montreal" title="Montreal">Montreal</a>, Quebec, Canada in July 2007.<sup id="cite_ref-NewNoiseMagazineInterview2021_13-0" class="reference"><a href="#cite_note-NewNoiseMagazineInterview2021-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-InvisibleOrangesForFarewellofNostalgiaPremiere_1-2" class="reference"><a href="#cite_note-InvisibleOrangesForFarewellofNostalgiaPremiere-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> The musical group's mainly <a href="Instrumental" title="Instrumental">instrumental</a> sound has been described variously by critics as a blend of <a href="Ambient_music" title="Ambient music">ambient</a>,<sup id="cite_ref-TheSpillMagazineForFarewellofNostalgiaReview_5-1" class="reference"><a href="#cite_note-TheSpillMagazineForFarewellofNostalgiaReview-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-InvisibleOrangesForFarewellofNostalgiaPremiere_1-3" class="reference"><a href="#cite_note-InvisibleOrangesForFarewellofNostalgiaPremiere-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> <a href="Shoegaze" title="Shoegaze">shoegaze</a>,<sup id="cite_ref-HeadphoneCommuteForFarewellofNostalgiaReview_6-1" class="reference"><a href="#cite_note-HeadphoneCommuteForFarewellofNostalgiaReview-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-MonolithCocktailForFarewellofNostalgiaReview_14-0" class="reference"><a href="#cite_note-MonolithCocktailForFarewellofNostalgiaReview-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> <a href="Post-rock" title="Post-rock">post-rock</a>,<sup id="cite_ref-NewNoiseMagazineBandcampoftheDay_2-1" class="reference"><a href="#cite_note-NewNoiseMagazineBandcampoftheDay-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheInarguableInterview2010_15-0" class="reference"><a href="#cite_note-TheInarguableInterview2010-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> <a href="Ethereal_wave" title="Ethereal wave">ethereal</a>,<sup id="cite_ref-TheNoiseBeneaththeSnowInterview2020_4-1" class="reference"><a href="#cite_note-TheNoiseBeneaththeSnowInterview2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-IdioteqInterview2020_3-1" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> <a href="Drone_music" title="Drone music">drone</a>,<sup id="cite_ref-TheObeliskSometimesinAbsence_16-0" class="reference"><a href="#cite_note-TheObeliskSometimesinAbsence-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheObeliskPieceNoTrois_17-0" class="reference"><a href="#cite_note-TheObeliskPieceNoTrois-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> <a href="Space_rock" title="Space rock">space rock</a>,<sup id="cite_ref-TheSpillMagazineInterview2021_10-1" class="reference"><a href="#cite_note-TheSpillMagazineInterview2021-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-LinusRecordsForFarewellofNostalgiaReview_18-0" class="reference"><a href="#cite_note-LinusRecordsForFarewellofNostalgiaReview-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> <a href="Emo" title="Emo">emo</a>,<sup id="cite_ref-IdioteqInterview2020_3-2" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TerraRelictaInterview2020_19-0" class="reference"><a href="#cite_note-TerraRelictaInterview2020-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> <a href="Post-black_metal" class="mw-redirect" title="Post-black metal">post-black metal</a>,<sup id="cite_ref-TheObeliskInterview2020_9-1" class="reference"><a href="#cite_note-TheObeliskInterview2020-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheObeliskSometimesinAbsence_16-1" class="reference"><a href="#cite_note-TheObeliskSometimesinAbsence-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> <a href="Post-metal" title="Post-metal">post-metal</a>,<sup id="cite_ref-TheNoiseBeneaththeSnowInterview2020_4-2" class="reference"><a href="#cite_note-TheNoiseBeneaththeSnowInterview2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TerraRelictaInterview2020_19-1" class="reference"><a href="#cite_note-TerraRelictaInterview2020-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> <a href="Dark_ambient" title="Dark ambient">dark ambient</a>,<sup id="cite_ref-TheNoiseBeneaththeSnowInterview2020_4-3" class="reference"><a href="#cite_note-TheNoiseBeneaththeSnowInterview2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-LinusRecordsForFarewellofNostalgiaReview_18-1" class="reference"><a href="#cite_note-LinusRecordsForFarewellofNostalgiaReview-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> <a href="Dark_wave" title="Dark wave">dark wave</a>,<sup id="cite_ref-TheSirensSoundAnAnthologyofPastMisfortunesReview_20-0" class="reference"><a href="#cite_note-TheSirensSoundAnAnthologyofPastMisfortunesReview-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheNoiseBeneaththeSnowInterview2020_4-4" class="reference"><a href="#cite_note-TheNoiseBeneaththeSnowInterview2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> <a href="Experimental_rock" title="Experimental rock">experimental rock</a>,<sup id="cite_ref-MonolithCocktailForFarewellofNostalgiaReview_14-1" class="reference"><a href="#cite_note-MonolithCocktailForFarewellofNostalgiaReview-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-LinusRecordsForFarewellofNostalgiaReview_18-2" class="reference"><a href="#cite_note-LinusRecordsForFarewellofNostalgiaReview-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> <a href="Minimal_music" title="Minimal music">minimal</a>,<sup id="cite_ref-TheObeliskPieceNoTrois_17-1" class="reference"><a href="#cite_note-TheObeliskPieceNoTrois-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheObeliskSometimesinAbsence_16-2" class="reference"><a href="#cite_note-TheObeliskSometimesinAbsence-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> <a href="Dream_pop" title="Dream pop">dream pop</a>,<sup id="cite_ref-AmbientExoticaTheLastGreatTorchSongReview_21-0" class="reference"><a href="#cite_note-AmbientExoticaTheLastGreatTorchSongReview-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-LinusRecordsForFarewellofNostalgiaReview_18-3" class="reference"><a href="#cite_note-LinusRecordsForFarewellofNostalgiaReview-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> <a href="Progressive_rock" title="Progressive rock">progressive rock</a>,<sup id="cite_ref-FemforgacsForFarewellofNostalgiaReview_22-0" class="reference"><a href="#cite_note-FemforgacsForFarewellofNostalgiaReview-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-AmbientExoticaTheLastGreatTorchSongReview_21-1" class="reference"><a href="#cite_note-AmbientExoticaTheLastGreatTorchSongReview-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> <a href="Modern_classical" class="mw-redirect" title="Modern classical">modern classical</a>,<sup id="cite_ref-MonolithCocktailForFarewellofNostalgiaReview_14-2" class="reference"><a href="#cite_note-MonolithCocktailForFarewellofNostalgiaReview-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> and <a href="New-age_music" title="New-age music">new-age</a>.<sup id="cite_ref-TimeMachineProductionsSoundsfromtheUndergroundReview_23-0" class="reference"><a href="#cite_note-TimeMachineProductionsSoundsfromtheUndergroundReview-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup>
</p><p>The band released its debut extended play, <span title="French-language text"><i lang="fr">Seul dans l'obsession</i></span>, in 2007,<sup id="cite_ref-ReGenMagazineSometimesinAbsence_7-1" class="reference"><a href="#cite_note-ReGenMagazineSometimesinAbsence-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> followed by another extended play, <span title="French-language text"><i lang="fr">Un automne en solitude</i></span>, in 2008, both via American record label Mortification Records.<sup id="cite_ref-CapturedHowlsInterview2020_24-0" class="reference"><a href="#cite_note-CapturedHowlsInterview2020-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-ItsPsychedelicBabyMagazineInterview2020_11-1" class="reference"><a href="#cite_note-ItsPsychedelicBabyMagazineInterview2020-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> While still based in New Jersey, the musical group included second guitarist Philip Altobelli, who joined after the release of the band's debut but departed before the recording of the second extended play.<sup id="cite_ref-IdioteqInterview2020_3-3" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TerraRelictaInterview2020_19-2" class="reference"><a href="#cite_note-TerraRelictaInterview2020-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> Once established in Quebec, the band was expanded with two more guitarists, Nidal Mourad and Adam Kennedy, but they departed before the recording of the band's third output.<sup id="cite_ref-TheNoiseBeneaththeSnowInterview2020_4-5" class="reference"><a href="#cite_note-TheNoiseBeneaththeSnowInterview2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheObeliskSometimesinAbsence_16-3" class="reference"><a href="#cite_note-TheObeliskSometimesinAbsence-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> In 2009, a compilation album of the first two extended plays, <i>An Anthology of Past Misfortunes</i>, was released by Japanese record label Frozen Veins Records.<sup id="cite_ref-TheSirensSoundAnAnthologyofPastMisfortunesReview_20-1" class="reference"><a href="#cite_note-TheSirensSoundAnAnthologyofPastMisfortunesReview-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup>
</p><p>After signing with Canadian record label Abridged Pause Recordings,<sup id="cite_ref-MetalTempleTriskalyonInterview2023_25-0" class="reference"><a href="#cite_note-MetalTempleTriskalyonInterview2023-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TranscendingtheMundaneInterview2023_26-0" class="reference"><a href="#cite_note-TranscendingtheMundaneInterview2023-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> Vision Eternel followed up with three more extended plays: <span title="French-language text"><i lang="fr">Abondance de périls</i></span> in 2010,<sup id="cite_ref-TheInarguableAbondanceDePerilsReview_27-0" class="reference"><a href="#cite_note-TheInarguableAbondanceDePerilsReview-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> <i>The Last Great Torch Song</i> in 2012,<sup id="cite_ref-AmbientExoticaTheLastGreatTorchSongReview_21-2" class="reference"><a href="#cite_note-AmbientExoticaTheLastGreatTorchSongReview-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> and <i><a href="Echoes_from_Forgotten_Hearts" title="Echoes from Forgotten Hearts">Echoes from Forgotten Hearts</a></i> (originally composed as the score to a short film) in 2015.<sup id="cite_ref-TheObeliskEchoesfromForgottenHeartsReview_28-0" class="reference"><a href="#cite_note-TheObeliskEchoesfromForgottenHeartsReview-28"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup> In 2018, Abridged Pause Recordings released the box set <i>An Anthology of Past Misfortunes</i>, comprising remastered versions of the band's entire 2007–2015 output, along with a bonus compilation of previously unreleased demos and b-sides.<sup id="cite_ref-TheObeliskAnAnthologyofPastMisfortunesBoxedSetGiveaway_29-0" class="reference"><a href="#cite_note-TheObeliskAnAnthologyofPastMisfortunesBoxedSetGiveaway-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TerraRelictaAnAnthologyofPastMisfortunesBoxedSet_30-0" class="reference"><a href="#cite_note-TerraRelictaAnAnthologyofPastMisfortunesBoxedSet-30"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheObeliskAnAnthologyofPastMisfortunesBoxedSetVideo_31-0" class="reference"><a href="#cite_note-TheObeliskAnAnthologyofPastMisfortunesBoxedSetVideo-31"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup> The band's sixth extended play, <i><a href="For_Farewell_of_Nostalgia" title="For Farewell of Nostalgia">For Farewell of Nostalgia</a></i>, was co-released by American record label <a href="Somewherecold_Records" title="Somewherecold Records">Somewherecold Records</a>,<sup id="cite_ref-TheObeliskForFarewellofNostalgiaAnnouncement_32-0" class="reference"><a href="#cite_note-TheObeliskForFarewellofNostalgiaAnnouncement-32"><span class="cite-bracket">[</span>32<span class="cite-bracket">]</span></a></sup> Dutch record label Geertruida,<sup id="cite_ref-ChainDLKForFarewellofNostalgiaAnnouncement_33-0" class="reference"><a href="#cite_note-ChainDLKForFarewellofNostalgiaAnnouncement-33"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup> and Abridged Pause Recordings in 2020.<sup id="cite_ref-CapturedHowlsForFarewellofNostalgiaReview_34-0" class="reference"><a href="#cite_note-CapturedHowlsForFarewellofNostalgiaReview-34"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-MonolithCocktailForFarewellofNostalgiaReview_14-3" class="reference"><a href="#cite_note-MonolithCocktailForFarewellofNostalgiaReview-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> A deluxe edition of <i>Echoes from Forgotten Hearts</i> was issued by Geertruida in 2024, containing the previously unreleased soundtrack version of the recording, a bonus compilation of demos and alternate takes and mixes, and a non-fiction novel detailing the making of the release.<sup id="cite_ref-NewNoiseMagazineEchoesfromForgottenHeartsAnnouncement_35-0" class="reference"><a href="#cite_note-NewNoiseMagazineEchoesfromForgottenHeartsAnnouncement-35"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheSpillMagazineEchoesfromForgottenHeartsAnnouncement_36-0" class="reference"><a href="#cite_note-TheSpillMagazineEchoesfromForgottenHeartsAnnouncement-36"><span class="cite-bracket">[</span>36<span class="cite-bracket">]</span></a></sup>
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<div class="mw-heading mw-heading2"><h2 id="History">History</h2></div>
<div class="mw-heading mw-heading3"><h3 id="2007:_Formation,_Seul_dans_l'obsession,_and_Un_automne_en_solitude">2007: Formation, <span title="French-language text"><i lang="fr">Seul dans l'obsession</i></span>, and <span title="French-language text"><i lang="fr">Un automne en solitude</i></span></h3></div>
<p>Vision Éternel was formed in January 2007 and was initially based in the <a href="Briarwood_East" class="mw-redirect" title="Briarwood East">Briarwood East</a> community of <a href="Edison%2C_New_Jersey" title="Edison, New Jersey">Edison, New Jersey</a>, United States, where guitarist Alexander Julien's parents lived.<sup id="cite_ref-MetalTempleTriskalyonInterview2023_25-1" class="reference"><a href="#cite_note-MetalTempleTriskalyonInterview2023-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-IdioteqInterview2024_37-0" class="reference"><a href="#cite_note-IdioteqInterview2024-37"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup> Julien had played previously in Les Rocker's, The Slopin Fairy 7, The Tom & Alex Project, Scapegoat, and Throne of Mortality, and was then playing in Vision Lunar and Soufferance.<sup id="cite_ref-ItsPsychedelicBabyMagazineInterview2020_11-2" class="reference"><a href="#cite_note-ItsPsychedelicBabyMagazineInterview2020-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> Julien stated that the new band came about by accident one night while he was going through an <a href="Double_depression" title="Double depression">acute depression</a> over an ex-girlfriend (Julien already suffered from <a href="Chronic_depression" class="mw-redirect" title="Chronic depression">chronic depression</a>),<sup id="cite_ref-TranscendingtheMundaneInterview2023_26-1" class="reference"><a href="#cite_note-TranscendingtheMundaneInterview2023-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-PostRockNationInterview_38-0" class="reference"><a href="#cite_note-PostRockNationInterview-38"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup> and as he was experimenting with a <a href="Reverb_effect" title="Reverb effect">reverb effect</a> while playing <a href="Electric_guitar" title="Electric guitar">electric guitar</a> in his newly-built home studio.<sup id="cite_ref-ItsPsychedelicBabyMagazineInterview2020_11-3" class="reference"><a href="#cite_note-ItsPsychedelicBabyMagazineInterview2020-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-IdioteqInterview2024_37-1" class="reference"><a href="#cite_note-IdioteqInterview2024-37"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup> The song he composed and recorded that night was later titled "Love Within Beauty."<sup id="cite_ref-ReGenMagazineInterview2024_39-0" class="reference"><a href="#cite_note-ReGenMagazineInterview2024-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-IdioteqInterview2020_3-4" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> The musician was unsure how the new song would be used since it was so different in style and genre from his other <a href="Black_metal" title="Black metal">black metal</a> bands at the time, but after composing a second similar song a couple of days later, "Love Within Isolation," the idea of creating a new project to release the music came about.<sup id="cite_ref-TerraRelictaInterview2020_19-3" class="reference"><a href="#cite_note-TerraRelictaInterview2020-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TranscendingtheMundaneInterview2023_26-2" class="reference"><a href="#cite_note-TranscendingtheMundaneInterview2023-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup>
</p>
<p>The new project was named Vision Éternel because, as Julien explained to <i>Idioteq</i>, "[the] songs were composed while I was depressed and obsessed over an ex-girlfriend; it felt as if I was going to be thinking about her forever – eternally. I chose to deliberately misspell the band's name Vision Eternel (originally Vision Éternel) because it was halfway between Vision Éternelle in French and Vision Eternal in English. Both languages are part of my background and heritage. It resulted in an original band name that would not get lost or confused if searched for online."<sup id="cite_ref-IdioteqInterview2024_37-2" class="reference"><a href="#cite_note-IdioteqInterview2024-37"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup> The band was part of the international <a href="Music_collective" class="mw-redirect" title="Music collective">music collective</a> Triskalyon, which included such bands as <a href="https://de.wikipedia.org/wiki/A_Forest_of_Stars" class="extiw external" title="de:A Forest of Stars">A Forest of Stars</a>, <a href="https://pl.wikipedia.org/wiki/Dark_Forest" class="extiw external" title="pl:Dark Forest">Dark Forest</a>, and <a href="https://fr.wikipedia.org/wiki/Monarque_(groupe)" class="extiw external" title="fr:Monarque (groupe)">Monarque</a>, as well as Julien's other bands, Vision Lunar and Soufferance.<sup id="cite_ref-MetalTempleTriskalyonInterview2023_25-2" class="reference"><a href="#cite_note-MetalTempleTriskalyonInterview2023-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-ReGenMagazineInterview2024_39-1" class="reference"><a href="#cite_note-ReGenMagazineInterview2024-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup>
</p><p>Within a month, Julien had composed and recorded six songs at Mortified Studio, which made up the band's debut <a href="Concept_album" title="Concept album">concept</a> <a href="Extended_play" title="Extended play">extended play</a>, <span title="French-language text"><i lang="fr">Seul dans l'obsession</i></span>.<sup id="cite_ref-TranscendingtheMundaneInterview2023_26-3" class="reference"><a href="#cite_note-TranscendingtheMundaneInterview2023-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-IdioteqInterview2020_3-5" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheSpillMagazineInterview2021_10-2" class="reference"><a href="#cite_note-TheSpillMagazineInterview2021-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> It was released on Mortification Records, a record label owned by members of Triskalyon,<sup id="cite_ref-MetalTempleTriskalyonInterview2023_25-3" class="reference"><a href="#cite_note-MetalTempleTriskalyonInterview2023-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> on February 14, 2007, on <a href="Valentine's_Day" title="Valentine's Day">Valentine's Day</a>, to symbolize the heartbreak, solitude, and depression documented within the music.<sup id="cite_ref-TheSpillMagazineInterview2021_10-3" class="reference"><a href="#cite_note-TheSpillMagazineInterview2021-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-IdioteqInterview2024_37-3" class="reference"><a href="#cite_note-IdioteqInterview2024-37"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-ReGenMagazineInterview2024_39-2" class="reference"><a href="#cite_note-ReGenMagazineInterview2024-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup> Julien designed the artwork himself<sup id="cite_ref-AbridgedPauseBlogInterview2013_40-0" class="reference"><a href="#cite_note-AbridgedPauseBlogInterview2013-40"><span class="cite-bracket">[</span>40<span class="cite-bracket">]</span></a></sup> and produced a music video for "Love Within Narcosis," which was released as a lead single via <a href="YouTube" title="YouTube">YouTube</a> on February 9, 2007.<sup id="cite_ref-SadnessByNameInterview2010_41-0" class="reference"><a href="#cite_note-SadnessByNameInterview2010-41"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheInarguableInterview2010_15-1" class="reference"><a href="#cite_note-TheInarguableInterview2010-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup>
</p><p>To expand the solo studio project into a full band, Julien recruited electric and <a href="Classical_guitar" title="Classical guitar">classical guitarist</a> Philip Altobelli, who was also a member of Triskalyon and had played in the band Darklink.<sup id="cite_ref-TheNoiseBeneaththeSnowInterview2020_4-6" class="reference"><a href="#cite_note-TheNoiseBeneaththeSnowInterview2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-IdioteqInterview2020_3-6" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-MetalTempleTriskalyonInterview2023_25-4" class="reference"><a href="#cite_note-MetalTempleTriskalyonInterview2023-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> Altobelli only remained with the band briefly before giving up electric guitar to focus on teaching classical guitar.<sup id="cite_ref-TerraRelictaInterview2020_19-4" class="reference"><a href="#cite_note-TerraRelictaInterview2020-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-PostRockNationInterview_38-1" class="reference"><a href="#cite_note-PostRockNationInterview-38"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup> After Altobelli's departure, Julien began work on Vision Éternel's second concept extended play, <span title="French-language text"><i lang="fr">Un automne en solitude</i></span>, which was composed and recorded at Mortified Studio between May and July 2007.<sup id="cite_ref-ReGenMagazineInterview2024_39-3" class="reference"><a href="#cite_note-ReGenMagazineInterview2024-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-CapturedHowlsInterview2020_24-1" class="reference"><a href="#cite_note-CapturedHowlsInterview2020-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-SadnessByNameInterview2010_41-1" class="reference"><a href="#cite_note-SadnessByNameInterview2010-41"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup> Julien told <i>ReGen Magazine</i> "I finished recording <span title="French-language text"><i lang="fr">Un automne en solitude</i></span> in July 2007, but deliberately held it back from release until 2008, because I did not want Vision Eternel to be one of those bands that saturates its discography with dozens of pointless releases every year. I believe in quality over quantity. The extended play was planned for release on February 14, 2008."<sup id="cite_ref-ReGenMagazineInterview2024_39-4" class="reference"><a href="#cite_note-ReGenMagazineInterview2024-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup>
</p>
<div class="mw-heading mw-heading3"><h3 id="2007–2009:_Move_to_Montreal_and_An_Anthology_of_Past_Misfortunes">2007–2009: Move to Montreal and <i>An Anthology of Past Misfortunes</i></h3></div>
<p>In June 2007, Julien applied for admission into Recording Arts Canada, a <a href="Sound_engineering" class="mw-redirect" title="Sound engineering">sound engineering</a> college located in <a href="Montreal" title="Montreal">Montreal</a>, Quebec, Canada.<sup id="cite_ref-CapturedHowlsInterview2020_24-2" class="reference"><a href="#cite_note-CapturedHowlsInterview2020-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> As per the school's prerequisites, the musician was asked to submit samples of his production work, so Julien compiled a demo CD of songs from Vision Éternel's first two releases, the basis on which he was accepted.<sup id="cite_ref-TerraRelictaInterview2020_19-5" class="reference"><a href="#cite_note-TerraRelictaInterview2020-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-ReGenMagazineInterview2024_39-5" class="reference"><a href="#cite_note-ReGenMagazineInterview2024-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup> He later told <i>Captured Howls</i> "The producer who reviewed my application, and ultimately accepted my enrollment into the school, called me on the phone to tell me that my music impressed him and that it reminded him of <a href="Brian_Eno" title="Brian Eno">Brian Eno</a>'s <i><a href="The_Shutov_Assembly" title="The Shutov Assembly">The Shutov Assembly</a></i>."<sup id="cite_ref-CapturedHowlsInterview2020_24-3" class="reference"><a href="#cite_note-CapturedHowlsInterview2020-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup>
</p><p>Hoping to play concerts once established in Montreal, Julien recruited <a href="Acoustic_guitar" title="Acoustic guitar">acoustic guitarist</a> Nidal Mourad and <a href="Lead_guitar" title="Lead guitar">lead</a> electric guitarist Adam Kennedy as new Vision Éternel members; Julien switched to playing <a href="Rhythm_guitar" title="Rhythm guitar">rhythm</a> electric guitar in this line-up.<sup id="cite_ref-TerraRelictaInterview2020_19-6" class="reference"><a href="#cite_note-TerraRelictaInterview2020-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-IdioteqInterview2020_3-7" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> The three musicians met at Recording Arts Canada and were new to Montreal; Kennedy came from <a href="Ottawa" title="Ottawa">Ottawa</a>, Ontario, where he had played in several projects, including Orpheus and AK & Lord V, while Mourad, originally from <a href="Slave_Lake" title="Slave Lake">Slave Lake</a>, Alberta, had played in the metalcore band Natesment.<sup id="cite_ref-TerraRelictaInterview2020_19-7" class="reference"><a href="#cite_note-TerraRelictaInterview2020-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-IdioteqInterview2020_3-8" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> The trio wrote new arrangements of songs from the still unreleased <span title="French-language text"><i lang="fr">Un automne en solitude</i></span>, changing the band's sound from ambient to <a href="Indie_rock" title="Indie rock">indie rock</a> and <a href="Post-rock" title="Post-rock">post-rock</a>.<sup id="cite_ref-IdioteqInterview2020_3-9" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-PostRockNationInterview_38-2" class="reference"><a href="#cite_note-PostRockNationInterview-38"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup> In a retrospective interview for <i>Terra Relicta</i>, Julien said, "As soon as I heard how amazing, and different, these songs had become with the band, I strongly considered shelving the release or keeping it as a demo. Vision Eternel was evolving into something else and I was open to the idea of changing the band's name."<sup id="cite_ref-TerraRelictaInterview2020_19-8" class="reference"><a href="#cite_note-TerraRelictaInterview2020-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> However, Mourad quit the band in order to break out as a solo <a href="Folk_music" title="Folk music">folk</a> <a href="Singer-songwriter" title="Singer-songwriter">singer-songwriter</a>, and he eventually became a <a href="Disc_jockey" title="Disc jockey">disc jockey</a> performing under the name Ziko Ghost.<sup id="cite_ref-IdioteqInterview2020_3-10" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> Julien and Kennedy continued playing together briefly, but ultimately, Vision Éternel reverted to being Julien's solo project.<sup id="cite_ref-TerraRelictaInterview2020_19-9" class="reference"><a href="#cite_note-TerraRelictaInterview2020-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> Kennedy went on to play in the bands Gospel of Wisdom, 1993, Acid Cross, Beyond the Dune Sea, Owl Eyes Project, and Wake the Wolf.<sup id="cite_ref-IdioteqInterview2020_3-11" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup>
</p>
<p><span title="French-language text"><i lang="fr">Un automne en solitude</i></span> was again released through Mortification Records, but it was delayed from a planned February 14 date to a month later, on March 14, 2008, due to artwork issues.<sup id="cite_ref-TranscendingtheMundaneInterview2023_26-4" class="reference"><a href="#cite_note-TranscendingtheMundaneInterview2023-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-ReGenMagazineInterview2024_39-6" class="reference"><a href="#cite_note-ReGenMagazineInterview2024-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-SadnessByNameInterview2010_41-2" class="reference"><a href="#cite_note-SadnessByNameInterview2010-41"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup> Julien later expressed remorse that the extended play was not promoted upon release, in part due to the record company winding down.<sup id="cite_ref-ReGenMagazineInterview2024_39-7" class="reference"><a href="#cite_note-ReGenMagazineInterview2024-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup> Nevertheless, two music videos were produced for the single "Season in Absence."<sup id="cite_ref-TheNoiseBeneaththeSnowInterview2020_4-7" class="reference"><a href="#cite_note-TheNoiseBeneaththeSnowInterview2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> The first was produced by Belgian artist and designer Niels Geybels through his company Depraved Designs and released on April 20, 2008.<sup id="cite_ref-SadnessByNameInterview2010_41-3" class="reference"><a href="#cite_note-SadnessByNameInterview2010-41"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup> The second was produced by Julien two years later and released on March 19, 2010.<sup id="cite_ref-SadnessByNameInterview2010_41-4" class="reference"><a href="#cite_note-SadnessByNameInterview2010-41"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup>
</p><p>The band caught the attention of Japanese record label Frozen Veins Records, which issued the <a href="Compilation_album" title="Compilation album">compilation album</a> <i>An Anthology of Past Misfortunes</i>, comprising the first two extended plays and three unreleased b-sides plus a poster, on February 14, 2009.<sup id="cite_ref-TheSirensSoundAnAnthologyofPastMisfortunesReview_20-2" class="reference"><a href="#cite_note-TheSirensSoundAnAnthologyofPastMisfortunesReview-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TerraRelictaInterview2020_19-10" class="reference"><a href="#cite_note-TerraRelictaInterview2020-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> Australian record company Winterreich Records was scheduled to reissue both extended plays with new artwork on <a href="Compact_cassette" class="mw-redirect" title="Compact cassette">compact cassettes</a> in 2009, but it never materialized.<sup id="cite_ref-CenZuZineInterview2009_42-0" class="reference"><a href="#cite_note-CenZuZineInterview2009-42"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-SadnessByNameInterview2010_41-5" class="reference"><a href="#cite_note-SadnessByNameInterview2010-41"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup> Romanian record label Valse Sinistre Productions then planned to re-issue the band's discography on compact cassette in a box set, but this also fell through.<sup id="cite_ref-SadnessByNameInterview2010_41-6" class="reference"><a href="#cite_note-SadnessByNameInterview2010-41"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup>
</p><p>Between 2008 and 2010, the band announced a series of <a href="Split_album" title="Split album">split</a> 7-inch singles scheduled for release through Julien's newly formed record company, Abridged Pause Recordings, which were all canceled.<sup id="cite_ref-SadnessByNameInterview2010_41-7" class="reference"><a href="#cite_note-SadnessByNameInterview2010-41"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup> The first of these splits was to be with Californian post-rock band Ethereal Beauty, and was in development since mid-2008.<sup id="cite_ref-CenZuZineInterview2009_42-1" class="reference"><a href="#cite_note-CenZuZineInterview2009-42"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-MetalTempleTriskalyonInterview2023_25-5" class="reference"><a href="#cite_note-MetalTempleTriskalyonInterview2023-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> The release stalled for two years as Julien waited for the Californian band to record its music.<sup id="cite_ref-SadnessByNameInterview2010_41-8" class="reference"><a href="#cite_note-SadnessByNameInterview2010-41"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-MetalTempleTriskalyonInterview2023_25-6" class="reference"><a href="#cite_note-MetalTempleTriskalyonInterview2023-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> In 2010, Ethereal Beauty was renamed to Bonfires for Nobody, but the band still did not record the necessary songs for the split, and by October 2010, it was canceled.<sup id="cite_ref-AbridgedPauseBlogInterview2010_43-0" class="reference"><a href="#cite_note-AbridgedPauseBlogInterview2010-43"><span class="cite-bracket">[</span>43<span class="cite-bracket">]</span></a></sup> Another split announced by Vision Éternel in 2009 for Abridged Pause Recordings was to be with Washingtonian post-rock band Tasharg, but the latter band also changed name (to Lena Lou) and never recorded the material.<sup id="cite_ref-SadnessByNameInterview2010_41-9" class="reference"><a href="#cite_note-SadnessByNameInterview2010-41"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup> The final split was announced in 2010 and was to be with Swiss ambient musician Marc Doudin but for release on Romanian record label Asiluum Arts.<sup id="cite_ref-WTFMetalMusicInterview2010_44-0" class="reference"><a href="#cite_note-WTFMetalMusicInterview2010-44"><span class="cite-bracket">[</span>44<span class="cite-bracket">]</span></a></sup> Julien later revealed that most of the material recorded for the splits over the years was repurposed into Vision Éternel's fourth extended play, <i>The Last Great Torch Song</i>, in 2012.<sup id="cite_ref-MetalTempleTriskalyonInterview2023_25-7" class="reference"><a href="#cite_note-MetalTempleTriskalyonInterview2023-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheInarguableInterview2010_15-2" class="reference"><a href="#cite_note-TheInarguableInterview2010-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-AbridgedPauseBlogInterview2013_40-1" class="reference"><a href="#cite_note-AbridgedPauseBlogInterview2013-40"><span class="cite-bracket">[</span>40<span class="cite-bracket">]</span></a></sup>
</p>
<div class="mw-heading mw-heading3"><h3 id="2009–2012:_Abondance_de_périls_and_The_Last_Great_Torch_Song">2009–2012: <span title="French-language text"><i lang="fr">Abondance de périls</i></span> and <i>The Last Great Torch Song</i></h3></div>
<p>Julien had begun working on Vision Éternel's third concept extended play, <span title="French-language text"><i lang="fr">Abondance de périls</i></span>, in October 2007, but it took two and a half years before the musician composed and recorded enough material.<sup id="cite_ref-SadnessByNameInterview2010_41-10" class="reference"><a href="#cite_note-SadnessByNameInterview2010-41"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup> The songs were eventually recorded between May 2009 and January 2010, at Mortified Studios (then located in Julien's apartment in Montreal).<sup id="cite_ref-IdioteqInterview2024_37-4" class="reference"><a href="#cite_note-IdioteqInterview2024-37"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheInarguableInterview2010_15-3" class="reference"><a href="#cite_note-TheInarguableInterview2010-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> <span title="French-language text"><i lang="fr">Abondance de périls</i></span> was originally scheduled for release on February 14, 2010, but it was delayed because of the <a href="Mastering_(audio)" title="Mastering (audio)">mastering</a> sessions with ex-bandmate Adam Kennedy.<sup id="cite_ref-TranscendingtheMundaneInterview2023_26-5" class="reference"><a href="#cite_note-TranscendingtheMundaneInterview2023-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> It was eventually released via Abridged Pause Recordings on March 9, 2010,<sup id="cite_ref-TheInarguableAbondanceDePerilsReview_27-1" class="reference"><a href="#cite_note-TheInarguableAbondanceDePerilsReview-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheNoiseBeneaththeSnowInterview2020_4-8" class="reference"><a href="#cite_note-TheNoiseBeneaththeSnowInterview2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> a date the musician later regretted as it was the only time a Vision Éternel release did not come out on the 14th day of a month.<sup id="cite_ref-TranscendingtheMundaneInterview2023_26-6" class="reference"><a href="#cite_note-TranscendingtheMundaneInterview2023-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> The delay resulted in Julien introducing the Valentine's Day Exclusive Heartbreak Treat, an annual event on Valentine's Day during which he offers an unreleased song from the band's archives in lieu of a new release.<sup id="cite_ref-TheSpillMagazineInterview2021_10-4" class="reference"><a href="#cite_note-TheSpillMagazineInterview2021-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-ExclaimSometimesinAbsence_8-1" class="reference"><a href="#cite_note-ExclaimSometimesinAbsence-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> The artwork for <span title="French-language text"><i lang="fr">Abondance de périls</i></span> was designed from a photograph taken by Julien's roommate, French photographer Marina Polak.<sup id="cite_ref-AbridgedPauseBlogInterview2013_40-2" class="reference"><a href="#cite_note-AbridgedPauseBlogInterview2013-40"><span class="cite-bracket">[</span>40<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-GoatPalaceInterview2020_45-0" class="reference"><a href="#cite_note-GoatPalaceInterview2020-45"><span class="cite-bracket">[</span>45<span class="cite-bracket">]</span></a></sup>
</p><p>Also in 2010, Vision Éternel contributed an exclusive song to American record label <a href="Dedicated_Records" title="Dedicated Records">Dedicated Records</a>' Various Artists compilation, <i>Great Messengers: Palms</i>.<sup id="cite_ref-TheInarguableInterview2010_15-4" class="reference"><a href="#cite_note-TheInarguableInterview2010-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-WTFMetalMusicInterview2010_44-1" class="reference"><a href="#cite_note-WTFMetalMusicInterview2010-44"><span class="cite-bracket">[</span>44<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-AbridgedPauseBlogInterview2010_43-1" class="reference"><a href="#cite_note-AbridgedPauseBlogInterview2010-43"><span class="cite-bracket">[</span>43<span class="cite-bracket">]</span></a></sup> The band submitted a b-side from <span title="French-language text"><i lang="fr">Abondance de périls</i></span> titled "Thoughts as Consolation," but the record company's owner, Bradley James Palko, retitled it to "Start from the Beginning: The Accident."<sup id="cite_ref-bookletEchoesfromForgottenHeartsDeluxeEdition_46-0" class="reference"><a href="#cite_note-bookletEchoesfromForgottenHeartsDeluxeEdition-46"><span class="cite-bracket">[</span>46<span class="cite-bracket">]</span></a></sup> <i>Great Messengers: Palms</i> was released on October 3, 2010.<sup id="cite_ref-WTFMetalMusicInterview2010_44-2" class="reference"><a href="#cite_note-WTFMetalMusicInterview2010-44"><span class="cite-bracket">[</span>44<span class="cite-bracket">]</span></a></sup>
</p>
<p>Vision Éternel's fourth concept extended play, <i>The Last Great Torch Song</i>, was made up of songs left over from <span title="French-language text"><i lang="fr">Abondance de périls</i></span>' recording session, others recorded for the planned split releases that were canceled, and also from new material recorded throughout 2010 and 2011.<sup id="cite_ref-AbridgedPauseBlogInterview2013_40-3" class="reference"><a href="#cite_note-AbridgedPauseBlogInterview2013-40"><span class="cite-bracket">[</span>40<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-ReGenMagazineInterview2024_39-8" class="reference"><a href="#cite_note-ReGenMagazineInterview2024-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup> It features guest musicians on nearly every song, including Eiman Iranenejad (formerly of <a href="Mutiny_Within" title="Mutiny Within">Mutiny Within</a>) and Garry Brents (who later played in <a href="Memorrhage" title="Memorrhage">Memorrhage</a>) on "Sometimes in Longing Narcosis," Alexander Fawcett on "Sometimes in Anticipating Moments," and Howard Change on "Sometimes in Absolute Togetherness."<sup id="cite_ref-TerraRelictaInterview2020_19-11" class="reference"><a href="#cite_note-TerraRelictaInterview2020-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-IdioteqInterview2020_3-12" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-AmbientExoticaTheLastGreatTorchSongReview_21-3" class="reference"><a href="#cite_note-AmbientExoticaTheLastGreatTorchSongReview-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> Brents also mastered the release because Kennedy (Julien's first choice) was unavailable.<sup id="cite_ref-ReGenMagazineInterview2024_39-9" class="reference"><a href="#cite_note-ReGenMagazineInterview2024-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup>
</p><p>For the artwork of <i>The Last Great Torch Song</i>, Julien had planned to pay tribute to <a href="Frank_Sinatra" title="Frank Sinatra">Frank Sinatra</a>'s <i><a href="In_the_Wee_Small_Hours" title="In the Wee Small Hours">In the Wee Small Hours</a></i> album cover, using photographs taken by his best friend Jeremy Roux, but this did not materialize (it was later achieved with the artwork of <i><a href="For_Farewell_of_Nostalgia" title="For Farewell of Nostalgia">For Farewell of Nostalgia</a></i>).<sup id="cite_ref-MetalTempleTriskalyonInterview2023_25-8" class="reference"><a href="#cite_note-MetalTempleTriskalyonInterview2023-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> Instead, Polak's photography was again used.<sup id="cite_ref-ReGenMagazineInterview2024_39-10" class="reference"><a href="#cite_note-ReGenMagazineInterview2024-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-AbridgedPauseBlogIntroductionTheLastGreatTorchSong_47-0" class="reference"><a href="#cite_note-AbridgedPauseBlogIntroductionTheLastGreatTorchSong-47"><span class="cite-bracket">[</span>47<span class="cite-bracket">]</span></a></sup> Like all of the band's previous outputs, Julien had hoped to release the extended play through Abridged Pause Recordings on February 14, 2012, but it was delayed until March 14, 2012 because of late guest contributions, the mastering sessions, and artwork changes.<sup id="cite_ref-TranscendingtheMundaneInterview2023_26-7" class="reference"><a href="#cite_note-TranscendingtheMundaneInterview2023-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> A music video was planned for "Sometimes in Longing Narcosis," but the footage that was shot with Roux was lost to a hard drive crash a week after the extended play's release.<sup id="cite_ref-TranscendingtheMundaneInterview2024_48-0" class="reference"><a href="#cite_note-TranscendingtheMundaneInterview2024-48"><span class="cite-bracket">[</span>48<span class="cite-bracket">]</span></a></sup> While working on <i>The Last Great Torch Song</i> and after its release, Julien hinted that it may be Vision Éternel's <a href="Swan_song" title="Swan song">swan song</a>.<sup id="cite_ref-AbridgedPauseBlogInterview2013_40-4" class="reference"><a href="#cite_note-AbridgedPauseBlogInterview2013-40"><span class="cite-bracket">[</span>40<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheObeliskInterview2020_9-2" class="reference"><a href="#cite_note-TheObeliskInterview2020-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup>
</p>
<div class="mw-heading mw-heading3"><h3 id="2013–2018:_Echoes_from_Forgotten_Hearts_and_tenth_anniversary">2013–2018: <i>Echoes from Forgotten Hearts</i> and tenth anniversary</h3></div>
<p>In August 2014, Julien was commissioned by former Dedicated Records owner, Palko, to compose the <a href="Film_score" title="Film score">score</a> to a short film.<sup id="cite_ref-IdioteqInterview2024_37-5" class="reference"><a href="#cite_note-IdioteqInterview2024-37"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TranscendingtheMundaneInterview2024_48-1" class="reference"><a href="#cite_note-TranscendingtheMundaneInterview2024-48"><span class="cite-bracket">[</span>48<span class="cite-bracket">]</span></a></sup> Julien composed, arranged, and recorded the music between August and October 2014, but afterward found out that Palko had abandoned the film and absconded with the funds for a personal European vacation.<sup id="cite_ref-NewNoiseMagazineInterview2024_49-0" class="reference"><a href="#cite_note-NewNoiseMagazineInterview2024-49"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheSpillMagazineInterview2024_12-1" class="reference"><a href="#cite_note-TheSpillMagazineInterview2024-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> Unwilling to let his music go to waste, Julien returned to Mortified Studios (since relocated to <a href="Saint-Hippolyte%2C_Quebec" title="Saint-Hippolyte, Quebec">Saint-Hippolyte-of-Kilkenny, Quebec</a>) from November to December 2014, to re-record, re-mix, and re-conceptualize the material into Vision Étermel's fifth concept extended play, <i><a href="Echoes_from_Forgotten_Hearts" title="Echoes from Forgotten Hearts">Echoes from Forgotten Hearts</a></i>.<sup id="cite_ref-TheSpillMagazineEchoesfromForgottenHeartsAnnouncement_36-1" class="reference"><a href="#cite_note-TheSpillMagazineEchoesfromForgottenHeartsAnnouncement-36"><span class="cite-bracket">[</span>36<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-NewNoiseMagazineInterview2024_49-1" class="reference"><a href="#cite_note-NewNoiseMagazineInterview2024-49"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup> Kennedy was hired to master the extended play but the band opted to instead release it with Julien's final mix, without mastering.<sup id="cite_ref-TranscendingtheMundaneInterview2024_48-2" class="reference"><a href="#cite_note-TranscendingtheMundaneInterview2024-48"><span class="cite-bracket">[</span>48<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-IdioteqInterview2024_37-6" class="reference"><a href="#cite_note-IdioteqInterview2024-37"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup> The artwork for <i>Echoes from Forgotten Hearts</i> was designed by Roux as a tribute to the <i><a href="Moon_(2009_film)" title="Moon (2009 film)">Moon</a></i> soundtrack and film poster.<sup id="cite_ref-FindYourSoundsEchoesfromForgottenHearts_50-0" class="reference"><a href="#cite_note-FindYourSoundsEchoesfromForgottenHearts-50"><span class="cite-bracket">[</span>50<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-V13Interview2024_51-0" class="reference"><a href="#cite_note-V13Interview2024-51"><span class="cite-bracket">[</span>51<span class="cite-bracket">]</span></a></sup>
</p><p>It took the band nearly a decade to successfully release <i>Echoes from Forgotten Hearts</i> in a physical format.<sup id="cite_ref-NewNoiseMagazineInterview2024_49-2" class="reference"><a href="#cite_note-NewNoiseMagazineInterview2024-49"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-IdioteqInterview2024_37-7" class="reference"><a href="#cite_note-IdioteqInterview2024-37"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup> American record label Broken Limbs Recordings initially offered to release it on compact cassette but canceled the release within a month.<sup id="cite_ref-NewNoiseMagazineInterview2024_49-3" class="reference"><a href="#cite_note-NewNoiseMagazineInterview2024-49"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TranscendingtheMundaneInterview2024_48-3" class="reference"><a href="#cite_note-TranscendingtheMundaneInterview2024-48"><span class="cite-bracket">[</span>48<span class="cite-bracket">]</span></a></sup> It was then picked up for another compact cassette release by Bulgarian company Abandonment, but it was left in limbo for six months before the band determined it had been canceled.<sup id="cite_ref-ReGenMagazineInterview2024_39-11" class="reference"><a href="#cite_note-ReGenMagazineInterview2024-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-NewNoiseMagazineInterview2024_49-4" class="reference"><a href="#cite_note-NewNoiseMagazineInterview2024-49"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup> The band was then signed by American start-up record label Feather Witch (since then renamed to Fiadh Productions), which also offered to issue a compact cassette edition, but the band withdrew from the firm's roster after Julien received a drunken telephone call from the company's owner in the middle of the night.<sup id="cite_ref-NewNoiseMagazineInterview2024_49-5" class="reference"><a href="#cite_note-NewNoiseMagazineInterview2024-49"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TranscendingtheMundaneInterview2024_48-4" class="reference"><a href="#cite_note-TranscendingtheMundaneInterview2024-48"><span class="cite-bracket">[</span>48<span class="cite-bracket">]</span></a></sup> Julien finally opted to release <i>Echoes from Forgotten Hearts</i> digitally through Abridged Pause Recordings on February 14, 2015.<sup id="cite_ref-NewNoiseMagazineInterview2024_49-6" class="reference"><a href="#cite_note-NewNoiseMagazineInterview2024-49"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheSpillMagazineInterview2024_12-2" class="reference"><a href="#cite_note-TheSpillMagazineInterview2024-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup>
</p>
<p>In 2017, Vision Éternel celebrated its tenth anniversary with the introduction of a new logo by Belgian <a href="Calligraphist" class="mw-redirect" title="Calligraphist">calligraphist</a> <a href="Christophe_Szpajdel" title="Christophe Szpajdel">Christophe Szpajdel</a>.<sup id="cite_ref-HeathenHarvestTenthAnniversary_52-0" class="reference"><a href="#cite_note-HeathenHarvestTenthAnniversary-52"><span class="cite-bracket">[</span>52<span class="cite-bracket">]</span></a></sup> New merchandise was sold featuring both Szpajdel's new logo and Roux's original logo.<sup id="cite_ref-HeathenHarvestTenthAnniversary_52-1" class="reference"><a href="#cite_note-HeathenHarvestTenthAnniversary-52"><span class="cite-bracket">[</span>52<span class="cite-bracket">]</span></a></sup> In 2020, the band's logo was included in Szpajdel's <a href="Art_book" class="mw-redirect" title="Art book">art book</a> <i>Archaic Modernism: The Art of Christophe Szpajdel</i>, published via Heavy Music Artwork.<sup id="cite_ref-ArchaicModernism_53-0" class="reference"><a href="#cite_note-ArchaicModernism-53"><span class="cite-bracket">[</span>53<span class="cite-bracket">]</span></a></sup> A music video was also produced for "<a href="Pi%C3%A8ce_No._Trois" class="mw-redirect" title="Pièce No. Trois">Pièce No. Trois</a>," using the footage which had been lost in 2012 and since recovered.<sup id="cite_ref-TheObeliskPieceNoTrois_17-2" class="reference"><a href="#cite_note-TheObeliskPieceNoTrois-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TranscendingtheMundaneInterview2024_48-5" class="reference"><a href="#cite_note-TranscendingtheMundaneInterview2024-48"><span class="cite-bracket">[</span>48<span class="cite-bracket">]</span></a></sup> The music video was edited by Vasily Atutov and released on August 28, 2017.<sup id="cite_ref-TerraRelictaPieceNoTrois_54-0" class="reference"><a href="#cite_note-TerraRelictaPieceNoTrois-54"><span class="cite-bracket">[</span>54<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-LastDayDeafPieceNoTrois_55-0" class="reference"><a href="#cite_note-LastDayDeafPieceNoTrois-55"><span class="cite-bracket">[</span>55<span class="cite-bracket">]</span></a></sup> Another music video for "Sometimes in Longing Narcosis" was announced in February 2018, but was never completed.<sup id="cite_ref-MetalTempleSometimesinLongingNarcosis_56-0" class="reference"><a href="#cite_note-MetalTempleSometimesinLongingNarcosis-56"><span class="cite-bracket">[</span>56<span class="cite-bracket">]</span></a></sup>
</p><p>The highlight of the band's tenth anniversary was to be the <a href="Box_set" title="Box set">box set</a> <i>An Anthology of Past Misfortunes</i>, which was scheduled for release via Abridged Pause Recordings on February 14, 2017,<sup id="cite_ref-CapturedHowlsInterview2020_24-4" class="reference"><a href="#cite_note-CapturedHowlsInterview2020-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> but wound up being delayed by fourteen months, until April 14, 2018.<sup id="cite_ref-TheObeliskAnAnthologyofPastMisfortunesBoxedSetGiveaway_29-1" class="reference"><a href="#cite_note-TheObeliskAnAnthologyofPastMisfortunesBoxedSetGiveaway-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TerraRelictaAnAnthologyofPastMisfortunesBoxedSet_30-1" class="reference"><a href="#cite_note-TerraRelictaAnAnthologyofPastMisfortunesBoxedSet-30"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup> Julien told <i>ReGen Magazine</i> that the lengthy delay was caused by "numerous mishaps at the pressing and printing plants."<sup id="cite_ref-ReGenMagazineInterview2024_39-12" class="reference"><a href="#cite_note-ReGenMagazineInterview2024-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup> He elaborated further with <i>Transcending the Mundane</i>, stating, "Every single item in the boxed set had to be re-printed or re-pressed because the company with which I had placed my order, Analogue Media Technologies, ruined them. It was a nightmare. As a result, I was forced to reduce the number of boxed sets I had planned to make and ended up putting together a mostly homemade package."<sup id="cite_ref-TranscendingtheMundaneInterview2024_48-6" class="reference"><a href="#cite_note-TranscendingtheMundaneInterview2024-48"><span class="cite-bracket">[</span>48<span class="cite-bracket">]</span></a></sup> The box contained a complete discography of the band's releases up to that point (the first five extended plays), stickers, postcards, business card flyers, and a compact cassette compilation album titled <i>Lost Misfortunes: A Selection of Demos and Rarities (Part One)</i>, comprising 19 demos and b-sides.<sup id="cite_ref-AbridgedPauseBlogIntroductionAnAnthologyofPastMisfortunes_57-0" class="reference"><a href="#cite_note-AbridgedPauseBlogIntroductionAnAnthologyofPastMisfortunes-57"><span class="cite-bracket">[</span>57<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheObeliskAnAnthologyofPastMisfortunesBoxedSetVideo_31-1" class="reference"><a href="#cite_note-TheObeliskAnAnthologyofPastMisfortunesBoxedSetVideo-31"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup> In October 2018, Vision Éternel officially dropped the <a href="Accute_accent" class="mw-redirect" title="Accute accent">accute accent</a> from the spelling of its name and became Vision Eternel.<sup id="cite_ref-VisionÉternelVisionEternel_58-0" class="reference"><a href="#cite_note-VisionÉternelVisionEternel-58"><span class="cite-bracket">[</span>58<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheObeliskForFarewellofNostalgiaDoneRecording_59-0" class="reference"><a href="#cite_note-TheObeliskForFarewellofNostalgiaDoneRecording-59"><span class="cite-bracket">[</span>59<span class="cite-bracket">]</span></a></sup>
</p>
<div class="mw-heading mw-heading3"><h3 id="2018–2025:_For_Farewell_of_Nostalgia,_Echoes_from_Forgotten_Hearts_reissue,_and_Julien's_death">2018–2025: <i>For Farewell of Nostalgia</i>, <i>Echoes from Forgotten Hearts</i> reissue, and Julien's death</h3></div>
<p>Vision Eternel started composing and demoing songs for its sixth concept extended play, <i><a href="For_Farewell_of_Nostalgia" title="For Farewell of Nostalgia">For Farewell of Nostalgia</a></i>, in 2017, but had to put it on hold during the band's tenth anniversary to focus on the box set and other merchandise.<sup id="cite_ref-TheNoiseBeneaththeSnowInterview2020_4-9" class="reference"><a href="#cite_note-TheNoiseBeneaththeSnowInterview2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheObeliskInterview2020_9-3" class="reference"><a href="#cite_note-TheObeliskInterview2020-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-NewNoiseMagazineInterview2021_13-1" class="reference"><a href="#cite_note-NewNoiseMagazineInterview2021-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> <i>For Farewell of Nostalgia</i> was eventually recorded over seven months, between April and October 2018, at Mortified Studios (then relocated to <a href="Wexford%2C_Quebec" class="mw-redirect" title="Wexford, Quebec">Wexford, Quebec</a>), but Julien was unhappy with the material and shelved the release for a year.<sup id="cite_ref-IdioteqInterview2020_3-13" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-ItsPsychedelicBabyMagazineInterview2020_11-4" class="reference"><a href="#cite_note-ItsPsychedelicBabyMagazineInterview2020-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> Some of the songs recorded during the 2018 session were released on Various Artists compilation albums, including Canadian record label Coup Sur Coup Records' <i>Feedback Through A Magnifying Glass Volume I</i> (using "<a href="Moments_of_Intimacy" class="mw-redirect" title="Moments of Intimacy">Moments of Intimacy</a>," released on November 27, 2018),<sup id="cite_ref-TheObeliskFeedbackThroughaMagnifyingGlass_60-0" class="reference"><a href="#cite_note-TheObeliskFeedbackThroughaMagnifyingGlass-60"><span class="cite-bracket">[</span>60<span class="cite-bracket">]</span></a></sup> Italian record label Dornwald Records' <i>Forest of Thorns: A Dornwald Compilation</i> (using "<a href="Moments_of_Absence" class="mw-redirect" title="Moments of Absence">Moments of Absence</a>," released on March 25, 2019),<sup id="cite_ref-ACloserListenForestofThorns_61-0" class="reference"><a href="#cite_note-ACloserListenForestofThorns-61"><span class="cite-bracket">[</span>61<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-RosaSelvaggiaForestofThorns_62-0" class="reference"><a href="#cite_note-RosaSelvaggiaForestofThorns-62"><span class="cite-bracket">[</span>62<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheObeliskForFarewellofNostalgiaDoneRecording_59-1" class="reference"><a href="#cite_note-TheObeliskForFarewellofNostalgiaDoneRecording-59"><span class="cite-bracket">[</span>59<span class="cite-bracket">]</span></a></sup> and British record label <a href="Fruits_de_Mer_Records" title="Fruits de Mer Records">Fruits de Mer Records</a>' <i>Fruits de Mer Conducts: Deep Sea Exploration</i> (using an <a href="Ozzy_Osbourne" title="Ozzy Osbourne">Ozzy Osbourne</a> cover of "<a href="Killer_of_Giants" class="mw-redirect" title="Killer of Giants">Killer of Giants</a>," released on November 2, 2019).<sup id="cite_ref-TheObeliskForFarewellofNostalgiaDoneRecording_59-2" class="reference"><a href="#cite_note-TheObeliskForFarewellofNostalgiaDoneRecording-59"><span class="cite-bracket">[</span>59<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheNoiseBeneaththeSnowInterview2020_4-10" class="reference"><a href="#cite_note-TheNoiseBeneaththeSnowInterview2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup>
</p><p>Julien fully re-recorded <i>For Farewell of Nostalgia</i> at Mortified Studios between October and November 2019.<sup id="cite_ref-CapturedHowlsInterview2020_24-5" class="reference"><a href="#cite_note-CapturedHowlsInterview2020-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> Initially scheduled for release on February 14, 2020, to tie in with the band's yearly Valentine's Day commemoration, the extended play was pushed back by seven months due to delays with artwork and complications with record labels and pressing plants during the early outbreak of the <a href="COVID-19_pandemic" title="COVID-19 pandemic">COVID-19 pandemic</a>.<sup id="cite_ref-ItsPsychedelicBabyMagazineInterview2020_11-5" class="reference"><a href="#cite_note-ItsPsychedelicBabyMagazineInterview2020-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheNoiseBeneaththeSnowInterview2020_4-11" class="reference"><a href="#cite_note-TheNoiseBeneaththeSnowInterview2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-MetalTempleTriskalyonInterview2023_25-9" class="reference"><a href="#cite_note-MetalTempleTriskalyonInterview2023-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> It was released on September 14, 2020, via Abridged Pause Recordings, in collaboration with Dutch record label Geertruida and American record company <a href="Somewherecold_Records" title="Somewherecold Records">Somewherecold Records</a>; a short story was included with the physical editions.<sup id="cite_ref-TheObeliskInterview2020_9-4" class="reference"><a href="#cite_note-TheObeliskInterview2020-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-NewNoiseMagazineInterview2021_13-2" class="reference"><a href="#cite_note-NewNoiseMagazineInterview2021-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> <i>For Farewell of Nostalgia</i> was mastered by Carl Saff and its artwork was painted by Michael Koelsch and pays tribute to Frank Sinatra's album <i>In the Wee Small Hours</i>.<sup id="cite_ref-HeadphoneCommuteForFarewellofNostalgiaReview_6-2" class="reference"><a href="#cite_note-HeadphoneCommuteForFarewellofNostalgiaReview-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheNoiseBeneaththeSnowInterview2020_4-12" class="reference"><a href="#cite_note-TheNoiseBeneaththeSnowInterview2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> The double compact cassette release from Geertruida also includes a second tape, <i>Lost Misfortunes: A Selection of Demos and Rarities (Part Two)</i>, comprising twelve b-sides and pre-production demos.<sup id="cite_ref-TheNoiseBeneaththeSnowInterview2020_4-13" class="reference"><a href="#cite_note-TheNoiseBeneaththeSnowInterview2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheObeliskInterview2020_9-5" class="reference"><a href="#cite_note-TheObeliskInterview2020-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> Fruits de Mer Records also included the song "Moments of Absence" on its Various Artists compilation album <i>Fruits de Mer Records Unearths: Sounds from the Underground</i>, released on November 9, 2020.<sup id="cite_ref-TimeMachineProductionsSoundsfromtheUndergroundReview_23-1" class="reference"><a href="#cite_note-TimeMachineProductionsSoundsfromtheUndergroundReview-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheObeliskForFarewellofNostalgiaDoneRecording_59-3" class="reference"><a href="#cite_note-TheObeliskForFarewellofNostalgiaDoneRecording-59"><span class="cite-bracket">[</span>59<span class="cite-bracket">]</span></a></sup>
</p>
<p>After the release of <i>For Farewell of Nostalgia</i>, the band spent the next four years organizing a deluxe edition reissue of <i>Echoes from Forgotten Hearts</i>.<sup id="cite_ref-CapturedHowlsInterview2020_24-6" class="reference"><a href="#cite_note-CapturedHowlsInterview2020-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheObeliskInterview2020_9-6" class="reference"><a href="#cite_note-TheObeliskInterview2020-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> It was first scheduled for release in 2021 via Somewherecold Records, but the band withdrew itself from the company's roster after the owner, Jason T. Lamoreaux, insisted Vision Eternel take part in a Christian-themed Various Artists compilation album.<sup id="cite_ref-NewNoiseMagazineInterview2024_49-7" class="reference"><a href="#cite_note-NewNoiseMagazineInterview2024-49"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TranscendingtheMundaneInterview2024_48-7" class="reference"><a href="#cite_note-TranscendingtheMundaneInterview2024-48"><span class="cite-bracket">[</span>48<span class="cite-bracket">]</span></a></sup> The re-issue was next picked up by Russian record label Frozen Light, but the band was unable to get a solid commitment from the company and was forced to look elsewhere.<sup id="cite_ref-NewNoiseMagazineInterview2024_49-8" class="reference"><a href="#cite_note-NewNoiseMagazineInterview2024-49"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TranscendingtheMundaneInterview2024_48-8" class="reference"><a href="#cite_note-TranscendingtheMundaneInterview2024-48"><span class="cite-bracket">[</span>48<span class="cite-bracket">]</span></a></sup> Vision Eternel was then signed to a co-production deal between Latvian/Austrian record label Beverina Productions and Russian company Casus Belli Musica, which scheduled the release of <i>Echoes from Forgotten Hearts</i> in early 2022, but due to delays with the artwork, and the outbreak of a <a href="Russian_invasion_of_Ukraine" title="Russian invasion of Ukraine">war in Europe</a>, the release wound up canceled.<sup id="cite_ref-NewNoiseMagazineInterview2024_49-9" class="reference"><a href="#cite_note-NewNoiseMagazineInterview2024-49"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TranscendingtheMundaneInterview2024_48-9" class="reference"><a href="#cite_note-TranscendingtheMundaneInterview2024-48"><span class="cite-bracket">[</span>48<span class="cite-bracket">]</span></a></sup> The band next secured a releasing deal with Bulgarian company Mahorka, but after months of negotiations over packaging, the release was canceled.<sup id="cite_ref-NewNoiseMagazineInterview2024_49-10" class="reference"><a href="#cite_note-NewNoiseMagazineInterview2024-49"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TranscendingtheMundaneInterview2024_48-10" class="reference"><a href="#cite_note-TranscendingtheMundaneInterview2024-48"><span class="cite-bracket">[</span>48<span class="cite-bracket">]</span></a></sup>
</p><p>The deluxe edition of <i>Echoes from Forgotten Hearts</i> was finally issued by Geertruida on February 14, 2024.<sup id="cite_ref-NewNoiseMagazineEchoesfromForgottenHeartsAnnouncement_35-1" class="reference"><a href="#cite_note-NewNoiseMagazineEchoesfromForgottenHeartsAnnouncement-35"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-InvisibleOrangesPieceNoTroisDemoPremiere_63-0" class="reference"><a href="#cite_note-InvisibleOrangesPieceNoTroisDemoPremiere-63"><span class="cite-bracket">[</span>63<span class="cite-bracket">]</span></a></sup> Fully <a href="Remastered" class="mw-redirect" title="Remastered">remastered</a> by Carl Saff, it was packaged in a double compact cassette <a href="Thermoforming" title="Thermoforming">thermoform</a> box set and included an 80-page novella titled <i>The Making of Echoes from Forgotten Hearts - A Narrative of Vision Eternel's Soundtrack</i>, in which Julien details the making of the release, the difficulty he had getting it released, and the reasons for its delay, along with 70 images from the band archives.<sup id="cite_ref-TheObeliskEchoesfromForgottenHeartsAnnouncement1_64-0" class="reference"><a href="#cite_note-TheObeliskEchoesfromForgottenHeartsAnnouncement1-64"><span class="cite-bracket">[</span>64<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-ReGenMagazineEchoesfromForgottenHeartsAnnouncement_65-0" class="reference"><a href="#cite_note-ReGenMagazineEchoesfromForgottenHeartsAnnouncement-65"><span class="cite-bracket">[</span>65<span class="cite-bracket">]</span></a></sup> It contains the seven-song version (released as the extended play in 2015), the unreleased six-song soundtrack version, and ten demos, unused takes, and alternate mixes on a bonus tape titled <i>Lost Misfortunes: A Selection of Demos and Rarities (Part Three)</i>.<sup id="cite_ref-TranscendingtheMundaneInterview2024_48-11" class="reference"><a href="#cite_note-TranscendingtheMundaneInterview2024-48"><span class="cite-bracket">[</span>48<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-ReGenMagazineInterview2024_39-13" class="reference"><a href="#cite_note-ReGenMagazineInterview2024-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup> The cover artwork of the deluxe edition was painted by Michael Koelsch and is a tribute to the theatrical poster of <a href="Charlie_Chaplin" title="Charlie Chaplin">Charlie Chaplin</a>'s 1931 film <i><a href="City_Lights" title="City Lights">City Lights</a></i>.<sup id="cite_ref-TheSpillMagazineInterview2024_12-3" class="reference"><a href="#cite_note-TheSpillMagazineInterview2024-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-V13Interview2024_51-1" class="reference"><a href="#cite_note-V13Interview2024-51"><span class="cite-bracket">[</span>51<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FindYourSoundsInterview2025_66-0" class="reference"><a href="#cite_note-FindYourSoundsInterview2025-66"><span class="cite-bracket">[</span>66<span class="cite-bracket">]</span></a></sup>
</p><p>On June 3, 2025, it was announced that Julien died at the age of 37 on May 14. No cause of death was given. His death marked the automatic dissolution of Vision Eternel.<sup id="cite_ref-67" class="reference"><a href="#cite_note-67"><span class="cite-bracket">[</span>67<span class="cite-bracket">]</span></a></sup>
</p>
<div class="mw-heading mw-heading2"><h2 id="Style_and_influences">Style and influences</h2></div>
<p>Vision Eternel's mainly <a href="Instrumental" title="Instrumental">instrumental</a> sound has been described variously by critics as a blend of <a href="Ambient_music" title="Ambient music">ambient</a>,<sup id="cite_ref-TheSpillMagazineForFarewellofNostalgiaReview_5-2" class="reference"><a href="#cite_note-TheSpillMagazineForFarewellofNostalgiaReview-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-InvisibleOrangesForFarewellofNostalgiaPremiere_1-4" class="reference"><a href="#cite_note-InvisibleOrangesForFarewellofNostalgiaPremiere-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> <a href="Shoegaze" title="Shoegaze">shoegaze</a>,<sup id="cite_ref-HeadphoneCommuteForFarewellofNostalgiaReview_6-3" class="reference"><a href="#cite_note-HeadphoneCommuteForFarewellofNostalgiaReview-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-MonolithCocktailForFarewellofNostalgiaReview_14-4" class="reference"><a href="#cite_note-MonolithCocktailForFarewellofNostalgiaReview-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> <a href="Post-rock" title="Post-rock">post-rock</a>,<sup id="cite_ref-NewNoiseMagazineBandcampoftheDay_2-2" class="reference"><a href="#cite_note-NewNoiseMagazineBandcampoftheDay-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheInarguableInterview2010_15-5" class="reference"><a href="#cite_note-TheInarguableInterview2010-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> <a href="Ethereal_wave" title="Ethereal wave">ethereal</a>,<sup id="cite_ref-TheNoiseBeneaththeSnowInterview2020_4-14" class="reference"><a href="#cite_note-TheNoiseBeneaththeSnowInterview2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-IdioteqInterview2020_3-14" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> <a href="Drone_music" title="Drone music">drone</a>,<sup id="cite_ref-TheObeliskSometimesinAbsence_16-4" class="reference"><a href="#cite_note-TheObeliskSometimesinAbsence-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheObeliskPieceNoTrois_17-3" class="reference"><a href="#cite_note-TheObeliskPieceNoTrois-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> <a href="Space_rock" title="Space rock">space rock</a>,<sup id="cite_ref-TheSpillMagazineInterview2021_10-5" class="reference"><a href="#cite_note-TheSpillMagazineInterview2021-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-LinusRecordsForFarewellofNostalgiaReview_18-4" class="reference"><a href="#cite_note-LinusRecordsForFarewellofNostalgiaReview-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> <a href="Emo" title="Emo">emo</a>,<sup id="cite_ref-IdioteqInterview2020_3-15" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TerraRelictaInterview2020_19-12" class="reference"><a href="#cite_note-TerraRelictaInterview2020-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> <a href="Post-black_metal" class="mw-redirect" title="Post-black metal">post-black metal</a>,<sup id="cite_ref-TheObeliskInterview2020_9-7" class="reference"><a href="#cite_note-TheObeliskInterview2020-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheObeliskSometimesinAbsence_16-5" class="reference"><a href="#cite_note-TheObeliskSometimesinAbsence-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> <a href="Post-metal" title="Post-metal">post-metal</a>,<sup id="cite_ref-TheNoiseBeneaththeSnowInterview2020_4-15" class="reference"><a href="#cite_note-TheNoiseBeneaththeSnowInterview2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TerraRelictaInterview2020_19-13" class="reference"><a href="#cite_note-TerraRelictaInterview2020-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> <a href="Dark_ambient" title="Dark ambient">dark ambient</a>,<sup id="cite_ref-TheNoiseBeneaththeSnowInterview2020_4-16" class="reference"><a href="#cite_note-TheNoiseBeneaththeSnowInterview2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-LinusRecordsForFarewellofNostalgiaReview_18-5" class="reference"><a href="#cite_note-LinusRecordsForFarewellofNostalgiaReview-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> <a href="Dark_wave" title="Dark wave">dark wave</a>,<sup id="cite_ref-TheSirensSoundAnAnthologyofPastMisfortunesReview_20-3" class="reference"><a href="#cite_note-TheSirensSoundAnAnthologyofPastMisfortunesReview-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheNoiseBeneaththeSnowInterview2020_4-17" class="reference"><a href="#cite_note-TheNoiseBeneaththeSnowInterview2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> <a href="Experimental_rock" title="Experimental rock">experimental rock</a>,<sup id="cite_ref-MonolithCocktailForFarewellofNostalgiaReview_14-5" class="reference"><a href="#cite_note-MonolithCocktailForFarewellofNostalgiaReview-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-LinusRecordsForFarewellofNostalgiaReview_18-6" class="reference"><a href="#cite_note-LinusRecordsForFarewellofNostalgiaReview-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> <a href="Minimal_music" title="Minimal music">minimal</a>,<sup id="cite_ref-TheObeliskPieceNoTrois_17-4" class="reference"><a href="#cite_note-TheObeliskPieceNoTrois-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheObeliskSometimesinAbsence_16-6" class="reference"><a href="#cite_note-TheObeliskSometimesinAbsence-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> <a href="Dream_pop" title="Dream pop">dream pop</a>,<sup id="cite_ref-AmbientExoticaTheLastGreatTorchSongReview_21-4" class="reference"><a href="#cite_note-AmbientExoticaTheLastGreatTorchSongReview-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-LinusRecordsForFarewellofNostalgiaReview_18-7" class="reference"><a href="#cite_note-LinusRecordsForFarewellofNostalgiaReview-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> <a href="Progressive_rock" title="Progressive rock">progressive rock</a>,<sup id="cite_ref-FemforgacsForFarewellofNostalgiaReview_22-1" class="reference"><a href="#cite_note-FemforgacsForFarewellofNostalgiaReview-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-AmbientExoticaTheLastGreatTorchSongReview_21-5" class="reference"><a href="#cite_note-AmbientExoticaTheLastGreatTorchSongReview-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> <a href="Modern_classical" class="mw-redirect" title="Modern classical">modern classical</a>,<sup id="cite_ref-MonolithCocktailForFarewellofNostalgiaReview_14-6" class="reference"><a href="#cite_note-MonolithCocktailForFarewellofNostalgiaReview-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> <a href="Gothic_rock" title="Gothic rock">gothic rock</a>,<sup id="cite_ref-AmbientExoticaTheLastGreatTorchSongReview_21-6" class="reference"><a href="#cite_note-AmbientExoticaTheLastGreatTorchSongReview-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> and <a href="New-age_music" title="New-age music">new-age</a>.<sup id="cite_ref-TimeMachineProductionsSoundsfromtheUndergroundReview_23-2" class="reference"><a href="#cite_note-TimeMachineProductionsSoundsfromtheUndergroundReview-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup>
</p>
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<p>"I came up with the term melogaze in 2010, after three-and-a-half years of struggling to find a matching genre for Vision Eternel. It was not so much that I did not want my music to be labeled; it was more the fact that others refused to accept Vision Eternel in any of the styles that had been proposed by friends and fans."
</p>
</blockquote>
<div style="padding-bottom: 0; padding-top: 0.5em"><cite class="left-aligned" style="">—<a href="Alexander_Julien" class="mw-redirect" title="Alexander Julien">Alexander Julien</a>, <i>Terra Relicta</i><sup id="cite_ref-TerraRelictaInterview2020_19-14" class="reference"><a href="#cite_note-TerraRelictaInterview2020-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup></cite></div>
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<p>Julien remained unconvinced about Vision Eternel's place within those genres, and he eventually coined a new term, melogaze, to describe his music in September 2010.<sup id="cite_ref-Melogaze_68-0" class="reference"><a href="#cite_note-Melogaze-68"><span class="cite-bracket">[</span>68<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-ExclaimSometimesinAbsence_8-2" class="reference"><a href="#cite_note-ExclaimSometimesinAbsence-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> He explained to <i>Idioteq</i> in 2020, "People tend to label my music 'guitar ambient'; I think that is a fair description but I do not listen to that style of music. My influences really do come from genres that are unrelated to the ambient, shoegaze, or post-rock scenes; perhaps that is why it has been so difficult for Vision Eternel to be categorized, not only by me, but also by fans and record labels. It is ambient, but it is also rock-based."<sup id="cite_ref-IdioteqInterview2020_3-16" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup>
</p><p>He continued, "A great deal of genres and labels have been attached to Vision Eternel over the years, but they apparently did not please everyone. Whenever someone claimed that Vision Eternel was an ambient band, someone else argued that it had no keyboards. When someone thought that it was post-rock, someone else rebutted that it had no drums. When someone was pushing the terms shoegaze, dream pop, or dream rock, fans were quick to point out that it lacked vocals. Others hoped to label it ethereal or darkwave, but that community was adamant about having electronic instruments. The space rock fans were slightly more open-minded but never fully accepted it because it was not psychedelic enough. The term drone was also briefly used by a couple of journalists, but that too was quickly shut down because the songs are too structured. The dark ambient community wanted nothing of it because it was too hopeful in nature. And finally, the emo revivalist community was skeptical because real emo was something that existed in the 1990s. Vision Eternel certainly has a little bit of <i>each</i> of those genres, yet it is not any <i>one</i> of them. But I grew tired of trying to impose Vision Eternel on genres or scenes, so in 2010, I coined the term melogaze."<sup id="cite_ref-IdioteqInterview2020_3-17" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup>
</p>
<p>During an interview with <i>Captured Howls</i>, Julien said it was difficult for him to pinpoint Vision Eternel's influences, explaining, "I do not personally listen to the genres of music that are generally affixed to the band. My songwriting, recording, and mixing influences are almost completely unrelated to those genres, or even to music at times. A lot of the musical influences for Vision Eternel come from my subconscious; songs that I really have to think back on as meaningful."<sup id="cite_ref-CapturedHowlsInterview2020_24-7" class="reference"><a href="#cite_note-CapturedHowlsInterview2020-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> He also told <i>The Spill Magazine</i>, "Vision Eternel is very much emotion-based, not genre or style-based."<sup id="cite_ref-TheSpillMagazineInterview2021_10-6" class="reference"><a href="#cite_note-TheSpillMagazineInterview2021-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> He further related that he makes it a point not to listen to music during Vision Eternel's writing and recording sessions so that his emotions and subconscious influences can remain natural.<sup id="cite_ref-TheSpillMagazineInterview2021_10-7" class="reference"><a href="#cite_note-TheSpillMagazineInterview2021-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-IdioteqInterview2020_3-18" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheNoiseBeneaththeSnowInterview2020_4-18" class="reference"><a href="#cite_note-TheNoiseBeneaththeSnowInterview2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup>
</p><p>Julien shared with <i>The Noise Beneath the Snow</i> that "Vision Eternel's compositions have always been more influenced by films rather than music."<sup id="cite_ref-TheNoiseBeneaththeSnowInterview2020_4-19" class="reference"><a href="#cite_note-TheNoiseBeneaththeSnowInterview2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> He elaborated to <i>Idioteq</i>, "I would say that watching movies has a much more immediate effect on my compositions and recordings than listening to music. Films create an immediate mood and tone, and I often begin composing music after watching one. I am highly influenced by melodramatic films."<sup id="cite_ref-IdioteqInterview2020_3-19" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> He confessed to <i><a href="It's_Psychedelic_Baby!_Magazine" title="It's Psychedelic Baby! Magazine">It's Psychedelic Baby! Magazine</a></i> that watching films is, for him, a form of <a href="Escapism" title="Escapism">escapism</a>, which makes him very sentimental and inspires his creativity.<sup id="cite_ref-ItsPsychedelicBabyMagazineInterview2020_11-6" class="reference"><a href="#cite_note-ItsPsychedelicBabyMagazineInterview2020-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> The musician often singled out <a href="Alfred_Hitchcock" title="Alfred Hitchcock">Alfred Hitchcock</a> as his favorite director and <i><a href="Vertigo_(film)" title="Vertigo (film)">Vertigo</a></i> as his favorite film, both of which he noted as instrumental in Vision Eternel's development of themes and concepts for extended plays.<sup id="cite_ref-CapturedHowlsInterview2020_24-8" class="reference"><a href="#cite_note-CapturedHowlsInterview2020-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheNoiseBeneaththeSnowInterview2020_4-20" class="reference"><a href="#cite_note-TheNoiseBeneaththeSnowInterview2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-ItsPsychedelicBabyMagazineInterview2020_11-7" class="reference"><a href="#cite_note-ItsPsychedelicBabyMagazineInterview2020-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> Other film directors mentioned as influential to the band include <a href="Douglas_Sirk" title="Douglas Sirk">Douglas Sirk</a>, <a href="Fritz_Lang" title="Fritz Lang">Fritz Lang</a>, <a href="Billy_Wilder" title="Billy Wilder">Billy Wilder</a>, <a href="Orson_Welles" title="Orson Welles">Orson Welles</a>, <a href="Charlie_Chaplin" title="Charlie Chaplin">Charlie Chaplin</a>, <a href="F._W._Murnau" title="F. W. Murnau">F. W. Murnau</a>, <a href="John_Frankenheimer" title="John Frankenheimer">John Frankenheimer</a>, <a href="Jean-Pierre_Melville" title="Jean-Pierre Melville">Jean-Pierre Melville</a>, <a href="Henri-Georges_Clouzot" title="Henri-Georges Clouzot">Henri-Georges Clouzot</a>, <a href="Jacques_Deray" title="Jacques Deray">Jacques Deray</a>, <a href="Henri_Verneuil" title="Henri Verneuil">Henri Verneuil</a>, <a href="Woody_Allen" title="Woody Allen">Woody Allen</a>, <a href="Alan_J._Pakula" title="Alan J. Pakula">Alan J. Pakula</a>, and <a href="Cameron_Crowe" title="Cameron Crowe">Cameron Crowe</a>.<sup id="cite_ref-IdioteqInterview2020_3-20" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheNoiseBeneaththeSnowInterview2020_4-21" class="reference"><a href="#cite_note-TheNoiseBeneaththeSnowInterview2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-ItsPsychedelicBabyMagazineInterview2020_11-8" class="reference"><a href="#cite_note-ItsPsychedelicBabyMagazineInterview2020-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup>
</p><p>In numerous interviews, Julien singled out <a href="Faith_No_More" title="Faith No More">Faith No More</a> as his favorite band and asserted that their influence on Vision Eternel's music, although different in genre and style, was nevertheless prominent.<sup id="cite_ref-TranscendingtheMundaneInterview2023_26-8" class="reference"><a href="#cite_note-TranscendingtheMundaneInterview2023-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-CapturedHowlsInterview2020_24-9" class="reference"><a href="#cite_note-CapturedHowlsInterview2020-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-IdioteqInterview2020_3-21" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheNoiseBeneaththeSnowInterview2020_4-22" class="reference"><a href="#cite_note-TheNoiseBeneaththeSnowInterview2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> He further highlighted bass guitarist <a href="Billy_Gould" title="Billy Gould">Billy Gould</a> as highly influential in the way that he plays <a href="Electric_bass_guitar" class="mw-redirect" title="Electric bass guitar">electric bass guitar</a>.<sup id="cite_ref-CapturedHowlsInterview2020_24-10" class="reference"><a href="#cite_note-CapturedHowlsInterview2020-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-IdioteqInterview2020_3-22" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> Other bands and artists mentioned as significant include <a href="The_Smashing_Pumpkins" title="The Smashing Pumpkins">The Smashing Pumpkins</a>,<sup id="cite_ref-IdioteqInterview2020_3-23" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-CapturedHowlsInterview2020_24-11" class="reference"><a href="#cite_note-CapturedHowlsInterview2020-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> <a href="Limp_Bizkit" title="Limp Bizkit">Limp Bizkit</a>,<sup id="cite_ref-TheNoiseBeneaththeSnowInterview2020_4-23" class="reference"><a href="#cite_note-TheNoiseBeneaththeSnowInterview2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-CapturedHowlsInterview2020_24-12" class="reference"><a href="#cite_note-CapturedHowlsInterview2020-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> <a href="Swans_(band)" title="Swans (band)">Swans</a>,<sup id="cite_ref-CapturedHowlsInterview2020_24-13" class="reference"><a href="#cite_note-CapturedHowlsInterview2020-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-GoatPalaceInterview2020_45-1" class="reference"><a href="#cite_note-GoatPalaceInterview2020-45"><span class="cite-bracket">[</span>45<span class="cite-bracket">]</span></a></sup> <a href="Frank_Sinatra" title="Frank Sinatra">Frank Sinatra</a>,<sup id="cite_ref-TheNoiseBeneaththeSnowInterview2020_4-24" class="reference"><a href="#cite_note-TheNoiseBeneaththeSnowInterview2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-CapturedHowlsInterview2020_24-14" class="reference"><a href="#cite_note-CapturedHowlsInterview2020-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> <a href="Elton_John" title="Elton John">Elton John</a>,<sup id="cite_ref-IdioteqInterview2020_3-24" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-CapturedHowlsInterview2020_24-15" class="reference"><a href="#cite_note-CapturedHowlsInterview2020-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> <a href="Clint_Mansell" title="Clint Mansell">Clint Mansell</a>,<sup id="cite_ref-CapturedHowlsInterview2020_24-16" class="reference"><a href="#cite_note-CapturedHowlsInterview2020-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-GoatPalaceInterview2020_45-2" class="reference"><a href="#cite_note-GoatPalaceInterview2020-45"><span class="cite-bracket">[</span>45<span class="cite-bracket">]</span></a></sup> <a href="Bernard_Herrmann" title="Bernard Herrmann">Bernard Herrmann</a>,<sup id="cite_ref-CapturedHowlsInterview2020_24-17" class="reference"><a href="#cite_note-CapturedHowlsInterview2020-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-GoatPalaceInterview2020_45-3" class="reference"><a href="#cite_note-GoatPalaceInterview2020-45"><span class="cite-bracket">[</span>45<span class="cite-bracket">]</span></a></sup> <a href="CSTVT" title="CSTVT">CSTVT</a>,<sup id="cite_ref-IdioteqInterview2020_3-25" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheNoiseBeneaththeSnowInterview2020_4-25" class="reference"><a href="#cite_note-TheNoiseBeneaththeSnowInterview2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> <a href="As_Friends_Rust" title="As Friends Rust">As Friends Rust</a>,<sup id="cite_ref-TheNoiseBeneaththeSnowInterview2020_4-26" class="reference"><a href="#cite_note-TheNoiseBeneaththeSnowInterview2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-IdioteqInterview2020_3-26" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> <a href="Deadsy" title="Deadsy">Deadsy</a>,<sup id="cite_ref-IdioteqInterview2020_3-27" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TranscendingtheMundaneInterview2024_48-12" class="reference"><a href="#cite_note-TranscendingtheMundaneInterview2024-48"><span class="cite-bracket">[</span>48<span class="cite-bracket">]</span></a></sup> <a href="Pink_Floyd" title="Pink Floyd">Pink Floyd</a>,<sup id="cite_ref-CapturedHowlsInterview2020_24-18" class="reference"><a href="#cite_note-CapturedHowlsInterview2020-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-IdioteqInterview2020_3-28" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> <a href="Harmonium_(band)" title="Harmonium (band)">Harmonium</a>,<sup id="cite_ref-CapturedHowlsInterview2020_24-19" class="reference"><a href="#cite_note-CapturedHowlsInterview2020-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-GoatPalaceInterview2020_45-4" class="reference"><a href="#cite_note-GoatPalaceInterview2020-45"><span class="cite-bracket">[</span>45<span class="cite-bracket">]</span></a></sup> <a href="Bathory_(band)" title="Bathory (band)">Bathory</a>,<sup id="cite_ref-IdioteqInterview2020_3-29" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheNoiseBeneaththeSnowInterview2020_4-27" class="reference"><a href="#cite_note-TheNoiseBeneaththeSnowInterview2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> <a href="Eleventh_He_Reaches_London" title="Eleventh He Reaches London">Eleventh He Reaches London</a>,<sup id="cite_ref-IdioteqInterview2020_3-30" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> <a href="Chamberlain_(band)" title="Chamberlain (band)">Chamberlain</a>,<sup id="cite_ref-CenZuZineInterview2009_42-2" class="reference"><a href="#cite_note-CenZuZineInterview2009-42"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup> <a href="Mother_Love_Bone" title="Mother Love Bone">Mother Love Bone</a>,<sup id="cite_ref-IdioteqInterview2020_3-31" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> <a href="King_Diamond" title="King Diamond">King Diamond</a>,<sup id="cite_ref-IdioteqInterview2020_3-32" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheNoiseBeneaththeSnowInterview2020_4-28" class="reference"><a href="#cite_note-TheNoiseBeneaththeSnowInterview2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> <a href="Ozzy_Osbourne" title="Ozzy Osbourne">Ozzy Osbourne</a>,<sup id="cite_ref-IdioteqInterview2020_3-33" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-CapturedHowlsInterview2020_24-20" class="reference"><a href="#cite_note-CapturedHowlsInterview2020-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> <a href="Burzum" title="Burzum">Burzum</a>,<sup id="cite_ref-TheNoiseBeneaththeSnowInterview2020_4-29" class="reference"><a href="#cite_note-TheNoiseBeneaththeSnowInterview2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> <a href="Dissection_(band)" title="Dissection (band)">Dissection</a>,<sup id="cite_ref-TheNoiseBeneaththeSnowInterview2020_4-30" class="reference"><a href="#cite_note-TheNoiseBeneaththeSnowInterview2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-IdioteqInterview2020_3-34" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> <a href="Immortal_(band)" title="Immortal (band)">Immortal</a>,<sup id="cite_ref-TheNoiseBeneaththeSnowInterview2020_4-31" class="reference"><a href="#cite_note-TheNoiseBeneaththeSnowInterview2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-IdioteqInterview2020_3-35" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> Eliminator,<sup id="cite_ref-IdioteqInterview2020_3-36" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheNoiseBeneaththeSnowInterview2020_4-32" class="reference"><a href="#cite_note-TheNoiseBeneaththeSnowInterview2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> Brainscan,<sup id="cite_ref-IdioteqInterview2020_3-37" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> Black Sand and Starless Nights,<sup id="cite_ref-IdioteqInterview2020_3-38" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-CapturedHowlsInterview2020_24-21" class="reference"><a href="#cite_note-CapturedHowlsInterview2020-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> and Montgomery 21,<sup id="cite_ref-IdioteqInterview2020_3-39" class="reference"><a href="#cite_note-IdioteqInterview2020-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-TheNoiseBeneaththeSnowInterview2020_4-33" class="reference"><a href="#cite_note-TheNoiseBeneaththeSnowInterview2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> which Julien told <i>Captured Howls</i> "are probably the artists that are mainly responsible for the way that Vision Eternel sounds."<sup id="cite_ref-CapturedHowlsInterview2020_24-22" class="reference"><a href="#cite_note-CapturedHowlsInterview2020-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup>
</p>
<div class="mw-heading mw-heading2"><h2 id="Members">Members</h2></div>
<p><b>Main founder</b>
</p>
<ul><li>Alexander Julien – electric guitar, acoustic guitar, electric bass guitar, eBow <small>(2007–2025, his death)</small></li></ul>
<p><b>Former members</b>
</p>
<ul><li>Philip Altobelli – electric guitar, classical guitar <small>(2007)</small></li>
<li>Nidal Mourad – acoustic guitar <small>(2008)</small></li>
<li>Adam Kennedy – electric guitar <small>(2008)</small></li></ul>
<div class="mw-heading mw-heading3"><h3 id="Timeline">Timeline</h3></div>
<div class="timeline-wrapper"></div>
<div class="mw-heading mw-heading2"><h2 id="Discography">Discography</h2></div>
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</style><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="Vision_Eternel_discography" title="Vision Eternel discography">Vision Eternel discography</a></div>
<dl><dt>EPs</dt></dl>
<ul><li><span title="French-language text"><i lang="fr">Seul dans l'obsession</i></span> (Mortification Records, 2007)</li>
<li><span title="French-language text"><i lang="fr">Un automne en solitude</i></span> (Mortification Records, 2008)</li>
<li><span title="French-language text"><i lang="fr">Abondance de périls</i></span> (Abridged Pause Recordings, 2010)</li>
<li><i>The Last Great Torch Song</i> (Abridged Pause Recordings, 2012)</li>
<li><i><a href="Echoes_from_Forgotten_Hearts" title="Echoes from Forgotten Hearts">Echoes from Forgotten Hearts</a></i> (Abridged Pause Recordings, 2015 / Geertruida, 2024)</li>
<li><i><a href="For_Farewell_of_Nostalgia" title="For Farewell of Nostalgia">For Farewell of Nostalgia</a></i> (<a href="Somewherecold_Records" title="Somewherecold Records">Somewherecold Records</a> / Geertruida / Abridged Pause Recordings, 2020)</li></ul>
<div class="mw-heading mw-heading2"><h2 id="See_also">See also</h2></div>
<style data-mw-deduplicate="TemplateStyles:r1266661725">
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<ul><li><a href="List_of_ambient_music_artists" title="List of ambient music artists">List of ambient music artists</a></li>
<li><a href="List_of_bands_from_Canada" title="List of bands from Canada">List of bands from Canada</a></li>
<li><a href="List_of_dark_ambient_artists" title="List of dark ambient artists">List of dark ambient artists</a></li>
<li><a href="List_of_dream_pop_artists" title="List of dream pop artists">List of dream pop artists</a></li>
<li><a href="List_of_drone_artists" title="List of drone artists">List of drone artists</a></li>
<li><a href="List_of_instrumental_bands" title="List of instrumental bands">List of instrumental bands</a></li>
<li><a href="List_of_Montreal_music_groups" title="List of Montreal music groups">List of Montreal music groups</a></li>
<li><a href="List_of_new-age_music_artists" title="List of new-age music artists">List of new-age music artists</a></li>
<li><a href="List_of_post-rock_bands" title="List of post-rock bands">List of post-rock bands</a></li>
<li><a href="List_of_shoegaze_bands" title="List of shoegaze bands">List of shoegaze bands</a></li></ul>
<div class="mw-heading mw-heading2"><h2 id="References">References</h2></div>
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<li id="cite_note-InvisibleOrangesForFarewellofNostalgiaPremiere-1"><span class="mw-cite-backlink">^ <a href="#cite_ref-InvisibleOrangesForFarewellofNostalgiaPremiere_1-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-InvisibleOrangesForFarewellofNostalgiaPremiere_1-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-InvisibleOrangesForFarewellofNostalgiaPremiere_1-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-InvisibleOrangesForFarewellofNostalgiaPremiere_1-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-InvisibleOrangesForFarewellofNostalgiaPremiere_1-4"><sup><i><b>e</b></i></sup></a></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">
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</style><cite id="CITEREFRosenthal2020" class="citation web cs1">Rosenthal, Jon (September 10, 2020). <a rel="nofollow" class="external text" href="https://www.invisibleoranges.com/vision-eternel-premiere">"Vision Eternel Bids a "Farewell to Nostalgia""</a>. <i><a href="Invisible_Oranges" title="Invisible Oranges">Invisible Oranges</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20200910141322/https://www.invisibleoranges.com/vision-eternel-premiere">Archived</a> from the original on September 10, 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">July 12,</span> 2023</span>.</cite></span>
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<li id="cite_note-IdioteqInterview2020-3"><span class="mw-cite-backlink">^ <a href="#cite_ref-IdioteqInterview2020_3-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-7"><sup><i><b>h</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-8"><sup><i><b>i</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-9"><sup><i><b>j</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-10"><sup><i><b>k</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-11"><sup><i><b>l</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-12"><sup><i><b>m</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-13"><sup><i><b>n</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-14"><sup><i><b>o</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-15"><sup><i><b>p</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-16"><sup><i><b>q</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-17"><sup><i><b>r</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-18"><sup><i><b>s</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-19"><sup><i><b>t</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-20"><sup><i><b>u</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-21"><sup><i><b>v</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-22"><sup><i><b>w</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-23"><sup><i><b>x</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-24"><sup><i><b>y</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-25"><sup><i><b>z</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-26"><sup><i><b>aa</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-27"><sup><i><b>ab</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-28"><sup><i><b>ac</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-29"><sup><i><b>ad</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-30"><sup><i><b>ae</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-31"><sup><i><b>af</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-32"><sup><i><b>ag</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-33"><sup><i><b>ah</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-34"><sup><i><b>ai</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-35"><sup><i><b>aj</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-36"><sup><i><b>ak</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-37"><sup><i><b>al</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-38"><sup><i><b>am</b></i></sup></a> <a href="#cite_ref-IdioteqInterview2020_3-39"><sup><i><b>an</b></i></sup></a></span> <span class="reference-text"><cite id="CITEREFMontoya2020" class="citation web cs1">Montoya, John (December 27, 2020). <a rel="nofollow" class="external text" href="https://idioteq.com/examining-vision-eternels-new-record-for-farewell-of-nostalgia-as-alexander-julien-explains-heartbreak">"Examining Vision Eternel's New Record "For Farewell of Nostalgia," as Alexander Julien Explains Heartbreak"</a>. <i>Idioteq</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20201228144632/https://idioteq.com/examining-vision-eternels-new-record-for-farewell-of-nostalgia-as-alexander-julien-explains-heartbreak">Archived</a> from the original on December 28, 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">July 12,</span> 2023</span>.</cite></span>
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<li id="cite_note-ReGenMagazineSometimesinAbsence-7"><span class="mw-cite-backlink">^ <a href="#cite_ref-ReGenMagazineSometimesinAbsence_7-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-ReGenMagazineSometimesinAbsence_7-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><cite id="CITEREFYücel2023" class="citation web cs1">Yücel, Ilker (February 14, 2023). <a rel="nofollow" class="external text" href="https://regenmag.com/news/vision-eternel-releases-latest-valentines-day-exclusive">"Vision Eternel Releases Latest Valentine's Day Exclusive"</a>. <i>ReGen Magazine</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230214172552/https://regenmag.com/news/vision-eternel-releases-latest-valentines-day-exclusive">Archived</a> from the original on February 14, 2023<span class="reference-accessdate">. Retrieved <span class="nowrap">July 12,</span> 2023</span>.</cite></span>
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<li id="cite_note-TheObeliskInterview2020-9"><span class="mw-cite-backlink">^ <a href="#cite_ref-TheObeliskInterview2020_9-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-TheObeliskInterview2020_9-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-TheObeliskInterview2020_9-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-TheObeliskInterview2020_9-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-TheObeliskInterview2020_9-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-TheObeliskInterview2020_9-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-TheObeliskInterview2020_9-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-TheObeliskInterview2020_9-7"><sup><i><b>h</b></i></sup></a></span> <span class="reference-text"><cite id="CITEREFKoczan2020" class="citation web cs1">Koczan, JJ (September 16, 2020). <a rel="nofollow" class="external text" href="https://theobelisk.net/obelisk/2020/09/16/vision-eternel-for-farewell-of-nostalgia-sdq">"Six Dumb Questions with Vision Eternel"</a>. <i>The Obelisk</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20200916162607/https://theobelisk.net/obelisk/2020/09/16/vision-eternel-for-farewell-of-nostalgia-sdq">Archived</a> from the original on September 16, 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">July 12,</span> 2023</span>.</cite></span>
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<li id="cite_note-ItsPsychedelicBabyMagazineInterview2020-11"><span class="mw-cite-backlink">^ <a href="#cite_ref-ItsPsychedelicBabyMagazineInterview2020_11-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-ItsPsychedelicBabyMagazineInterview2020_11-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-ItsPsychedelicBabyMagazineInterview2020_11-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-ItsPsychedelicBabyMagazineInterview2020_11-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-ItsPsychedelicBabyMagazineInterview2020_11-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-ItsPsychedelicBabyMagazineInterview2020_11-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-ItsPsychedelicBabyMagazineInterview2020_11-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-ItsPsychedelicBabyMagazineInterview2020_11-7"><sup><i><b>h</b></i></sup></a> <a href="#cite_ref-ItsPsychedelicBabyMagazineInterview2020_11-8"><sup><i><b>i</b></i></sup></a></span> <span class="reference-text"><cite id="CITEREFBreznikar2020" class="citation web cs1"><a href="Klemen_Breznikar" class="mw-redirect" title="Klemen Breznikar">Breznikar, Klemen</a> (December 24, 2020). <a rel="nofollow" class="external text" href="https://www.psychedelicbabymag.com/2020/12/vision-eternel-interview.html">"Vision Eternel Interview"</a>. <i><a href="It's_Psychedelic_Baby!_Magazine" title="It's Psychedelic Baby! Magazine">It's Psychedelic Baby! Magazine</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20201224130050/https://www.psychedelicbabymag.com/2020/12/vision-eternel-interview.html">Archived</a> from the original on December 24, 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">July 12,</span> 2023</span>.</cite></span>
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<li id="cite_note-TheSpillMagazineInterview2024-12"><span class="mw-cite-backlink">^ <a href="#cite_ref-TheSpillMagazineInterview2024_12-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-TheSpillMagazineInterview2024_12-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-TheSpillMagazineInterview2024_12-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-TheSpillMagazineInterview2024_12-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><cite id="CITEREFBadgley2024" class="citation web cs1"><a href="Aaron_Badgley" title="Aaron Badgley">Badgley, Aaron</a> (April 11, 2024). <a rel="nofollow" class="external text" href="https://spillmagazine.com/spill-feature-echoes-from-forgotten-hearts-a-conversation-with-alexander-julien-of-vision-eternel">"Spill Feature: Echoes from Forgotten Hearts - A Conversation with Alexander Julien of Vision Eternel"</a>. <i>The Spill Magazine</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20240412014145/https://spillmagazine.com/spill-feature-echoes-from-forgotten-hearts-a-conversation-with-alexander-julien-of-vision-eternel">Archived</a> from the original on April 12, 2024<span class="reference-accessdate">. Retrieved <span class="nowrap">April 12,</span> 2024</span>.</cite></span>
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<li id="cite_note-NewNoiseMagazineInterview2021-13"><span class="mw-cite-backlink">^ <a href="#cite_ref-NewNoiseMagazineInterview2021_13-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-NewNoiseMagazineInterview2021_13-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-NewNoiseMagazineInterview2021_13-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><cite id="CITEREFReed2021" class="citation web cs1">Reed, Mick (January 21, 2021). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20210126135505/https://newnoisemagazine.com/interview-vision-eternel-moments-of-clarity-a-mist-of-memory">"Interview: Vision Eternel, Moments of Clarity a Mist of Memory"</a>. <i><a href="New_Noise_Magazine" title="New Noise Magazine">New Noise Magazine</a></i>. Archived from <a rel="nofollow" class="external text" href="https://newnoisemagazine.com/interview-vision-eternel-moments-of-clarity-a-mist-of-memory">the original</a> on January 26, 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">July 12,</span> 2023</span>.</cite></span>
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<li id="cite_note-TheInarguableInterview2010-15"><span class="mw-cite-backlink">^ <a href="#cite_ref-TheInarguableInterview2010_15-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-TheInarguableInterview2010_15-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-TheInarguableInterview2010_15-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-TheInarguableInterview2010_15-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-TheInarguableInterview2010_15-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-TheInarguableInterview2010_15-5"><sup><i><b>f</b></i></sup></a></span> <span class="reference-text"><cite id="CITEREFHill2010" class="citation web cs1">Hill, Shane (October 14, 2010). <a rel="nofollow" class="external text" href="http://www.theinarguable.com/2010/10/new-vision-eternel-song-and-video-up.html">"New Vision Éternel Songs and Video Up, and an Exclusive Interview with Alexandre Julien"</a>. <i>The Inarguable</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170125080040/http://www.theinarguable.com/2010/10/new-vision-eternel-song-and-video-up.html">Archived</a> from the original on January 25, 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">July 12,</span> 2023</span>.</cite></span>
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<li id="cite_note-AbridgedPauseBlogIntroductionAnAnthologyofPastMisfortunes-57"><span class="mw-cite-backlink"><b><a href="#cite_ref-AbridgedPauseBlogIntroductionAnAnthologyofPastMisfortunes_57-0">^</a></b></span> <span class="reference-text"><cite id="CITEREFJulien2018" class="citation web cs1"><a href="Alexander_Julien" class="mw-redirect" title="Alexander Julien">Julien, Alexandr</a> (May 26, 2018). <a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=cRwYWX6HVxQ">"Vision Éternel - An Introduction to An Anthology of Past Misfortunes Boxed Set"</a>. <i>Abridged Pause Recordings</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20181227222643/https://www.youtube.com/watch?v=cRwYWX6HVxQ">Archived</a> from the original on December 27, 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">March 29,</span> 2025</span> – via <a href="YouTube" title="YouTube">YouTube</a>.</cite></span>
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<li id="cite_note-VisionÉternelVisionEternel-58"><span class="mw-cite-backlink"><b><a href="#cite_ref-VisionÉternelVisionEternel_58-0">^</a></b></span> <span class="reference-text"><cite id="CITEREFJulien2018" class="citation web cs1"><a href="Alexander_Julien" class="mw-redirect" title="Alexander Julien">Julien, Alexander</a> (October 4, 2018). <a rel="nofollow" class="external text" href="https://www.visioneternel.com/vision-eternel-is-now-vision-eternel">"Vision Éternel Is Now Vision Eternel"</a>. <i>Vision Eternel</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20200913184752/https://www.visioneternel.com/vision-eternel-is-now-vision-eternel">Archived</a> from the original on September 13, 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">April 4,</span> 2025</span>.</cite></span>
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<li id="cite_note-TheObeliskForFarewellofNostalgiaDoneRecording-59"><span class="mw-cite-backlink">^ <a href="#cite_ref-TheObeliskForFarewellofNostalgiaDoneRecording_59-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-TheObeliskForFarewellofNostalgiaDoneRecording_59-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-TheObeliskForFarewellofNostalgiaDoneRecording_59-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-TheObeliskForFarewellofNostalgiaDoneRecording_59-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><cite id="CITEREFKoczan2019" class="citation web cs1">Koczan, JJ (November 19, 2019). <a rel="nofollow" class="external text" href="https://theobelisk.net/obelisk/2019/11/19/vision-eternel-for-farewell-of-nostalgia-ep-recording">"Vision Eternel Finish Basic Tracks for New Release For Farewell of Nostalgia"</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20191119152446/https://theobelisk.net/obelisk/2019/11/19/vision-eternel-for-farewell-of-nostalgia-ep-recording">Archived</a> from the original on November 19, 2019<span class="reference-accessdate">. Retrieved <span class="nowrap">July 13,</span> 2023</span>.</cite></span>
</li>
<li id="cite_note-TheObeliskFeedbackThroughaMagnifyingGlass-60"><span class="mw-cite-backlink"><b><a href="#cite_ref-TheObeliskFeedbackThroughaMagnifyingGlass_60-0">^</a></b></span> <span class="reference-text"><cite id="CITEREFKoczan2019" class="citation web cs1">Koczan, JJ (January 4, 2019). <a rel="nofollow" class="external text" href="https://theobelisk.net/obelisk/2019/01/04/heron-seven-nines-and-tens-split-tape">"Heron & Seven Nines and Tens: Limited Split Tape Available"</a>. <i>The Obelisk</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20190114111535/https://theobelisk.net/obelisk/2019/01/04/heron-seven-nines-and-tens-split-tape">Archived</a> from the original on January 14, 2019<span class="reference-accessdate">. Retrieved <span class="nowrap">July 16,</span> 2023</span>.</cite></span>
</li>
<li id="cite_note-ACloserListenForestofThorns-61"><span class="mw-cite-backlink"><b><a href="#cite_ref-ACloserListenForestofThorns_61-0">^</a></b></span> <span class="reference-text"><cite id="CITEREFAllen2019" class="citation web cs1">Allen, Richard (May 25, 2019). <a rel="nofollow" class="external text" href="https://acloserlisten.com/2019/05/25/forest-of-thorns-a-dornwald-compilation">"Forest of Thorns: A Dornwald Compilation"</a>. <i>A Closer Listen</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20190525152238/https://acloserlisten.com/2019/05/25/forest-of-thorns-a-dornwald-compilation">Archived</a> from the original on May 25, 2019<span class="reference-accessdate">. Retrieved <span class="nowrap">July 16,</span> 2023</span>.</cite></span>
</li>
<li id="cite_note-RosaSelvaggiaForestofThorns-62"><span class="mw-cite-backlink"><b><a href="#cite_ref-RosaSelvaggiaForestofThorns_62-0">^</a></b></span> <span class="reference-text"><cite id="CITEREFOflorenz2019" class="citation web cs1">Oflorenz, Stefano (March 14, 2019). <a rel="nofollow" class="external text" href="https://www.rosaselvaggia.com/recens.dischi_02_19.htm">"AAVV - Forest of Thorns - A Dornwald Compilation Digital Download (Dornwald)"</a>. <i>Rosa Selvaggia Obscure Webzine</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20190314173031/https://www.rosaselvaggia.com/recens.dischi_02_19.htm">Archived</a> from the original on March 14, 2019<span class="reference-accessdate">. Retrieved <span class="nowrap">July 16,</span> 2023</span>.</cite></span>
</li>
<li id="cite_note-InvisibleOrangesPieceNoTroisDemoPremiere-63"><span class="mw-cite-backlink"><b><a href="#cite_ref-InvisibleOrangesPieceNoTroisDemoPremiere_63-0">^</a></b></span> <span class="reference-text"><cite id="CITEREFRosenthal2024" class="citation web cs1">Rosenthal, Jon (January 16, 2024). <a rel="nofollow" class="external text" href="https://www.invisibleoranges.com/an-echo-from-vision-eternels-heart-new-demo-track-debut">"An Echo from Vision Eternel's Heart (New Demo Track Debut)"</a>. <i><a href="Invisible_Oranges" title="Invisible Oranges">Invisible Oranges</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20240125114442/https://www.invisibleoranges.com/an-echo-from-vision-eternels-heart-new-demo-track-debut">Archived</a> from the original on January 25, 2024<span class="reference-accessdate">. Retrieved <span class="nowrap">February 19,</span> 2024</span>.</cite></span>
</li>
<li id="cite_note-TheObeliskEchoesfromForgottenHeartsAnnouncement1-64"><span class="mw-cite-backlink"><b><a href="#cite_ref-TheObeliskEchoesfromForgottenHeartsAnnouncement1_64-0">^</a></b></span> <span class="reference-text"><cite id="CITEREFKoczan2023" class="citation web cs1">Koczan, JJ (November 13, 2023). <a rel="nofollow" class="external text" href="https://theobelisk.net/obelisk/2023/11/13/vision-eternel-echoes-from-forgotten-hearts-reissue">"Vision Eternel to Release Echoes from Forgotten Hearts Deluxe Edition"</a>. <i>The Obelisk</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20231113191616/https://theobelisk.net/obelisk/2023/11/13/vision-eternel-echoes-from-forgotten-hearts-reissue">Archived</a> from the original on November 13, 2023<span class="reference-accessdate">. Retrieved <span class="nowrap">February 19,</span> 2024</span>.</cite></span>
</li>
<li id="cite_note-ReGenMagazineEchoesfromForgottenHeartsAnnouncement-65"><span class="mw-cite-backlink"><b><a href="#cite_ref-ReGenMagazineEchoesfromForgottenHeartsAnnouncement_65-0">^</a></b></span> <span class="reference-text"><cite id="CITEREFYücel2023" class="citation web cs1">Yücel, Ilker (November 13, 2023). <a rel="nofollow" class="external text" href="https://regenmag.com/news/vision-eternel-to-release-long-delayed-novella-and-soundtrack-album-box-set">"Vision Eternel to Release Long-Delayed Soundtrack Album Box Set"</a>. <i>ReGen Magazine</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20231114031403/https://regenmag.com/news/vision-eternel-to-release-long-delayed-soundtrack-album-box-set">Archived</a> from the original on November 14, 2023<span class="reference-accessdate">. Retrieved <span class="nowrap">February 19,</span> 2024</span>.</cite></span>
</li>
<li id="cite_note-FindYourSoundsInterview2025-66"><span class="mw-cite-backlink"><b><a href="#cite_ref-FindYourSoundsInterview2025_66-0">^</a></b></span> <span class="reference-text"><cite id="CITEREFTimuçin2025" class="citation web cs1">Timuçin, Ozgur (February 25, 2025). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20250225142759/https://findyoursounds.com/exclusive-interview-with-vision-eternel">"Exclusive Interview with Vision Eternel"</a>. <i>Find Your Sounds</i>. Archived from <a rel="nofollow" class="external text" href="https://findyoursounds.com/exclusive-interview-with-vision-eternel">the original</a> on February 25, 2025<span class="reference-accessdate">. Retrieved <span class="nowrap">February 25,</span> 2025</span>.</cite></span>
</li>
<li id="cite_note-67"><span class="mw-cite-backlink"><b><a href="#cite_ref-67">^</a></b></span> <span class="reference-text"><cite id="CITEREFKamiński2025" class="citation web cs1">Kamiński, Karol (June 3, 2025). <a rel="nofollow" class="external text" href="https://idioteq.com/vision-eternels-alexander-julien-has-passed-away-leaving-behind-a-legacy-shaped-by-nostalgia-heartbreak-and-artistic-discipline/">"Vision Eternel's Alexander Julien has passed away, leaving behind a legacy shaped by nostalgia, heartbreak, and artistic discipline - IDIOTEQ.com"</a>. <i>IdiotEQ</i><span class="reference-accessdate">. Retrieved <span class="nowrap">June 8,</span> 2025</span>.</cite></span>
</li>
<li id="cite_note-Melogaze-68"><span class="mw-cite-backlink"><b><a href="#cite_ref-Melogaze_68-0">^</a></b></span> <span class="reference-text"><cite id="CITEREFJulien2010" class="citation web cs1"><a href="Alexander_Julien" class="mw-redirect" title="Alexander Julien">Julien, Alexander</a> (September 17, 2010). <a rel="nofollow" class="external text" href="https://www.visioneternel.com/vision-eternel-officially-coins-the-term-melogaze">"Vision Éternel Officially Coins the Term Melogaze"</a>. <i>Vision Eternel</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170204134148/https://www.visioneternel.com/vision-eternel-officially-coins-the-term-melogaze">Archived</a> from the original on February 4, 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">April 4,</span> 2025</span>.</cite></span>
</li>
</ol></div></div>
<div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2></div>
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<div class="side-box-text plainlist">Wikimedia Commons has media related to <span style="font-weight: bold; font-style: italic;"><a href="https://commons.wikimedia.org/wiki/Category:Vision_Eternel" class="extiw external" title="commons:Category:Vision Eternel">Vision Eternel</a></span>.</div></div>
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<ul><li><span class="official-website"><span class="url"><a rel="nofollow" class="external text" href="https://www.visioneternel.com">Official website</a></span></span> </li>
<li><a rel="nofollow" class="external text" href="https://www.discogs.com/artist/826752">Vision Eternel</a> discography at <a href="Discogs" title="Discogs">Discogs</a> </li>
<li><a rel="nofollow" class="external text" href="https://www.imdb.com/name/nm9601764/">Vision Eternel</a> at <a href="IMDb_(identifier)" class="mw-redirect" title="IMDb (identifier)">IMDb</a></li>
<li><a rel="nofollow" class="external text" href="https://musicbrainz.org/artist/b7cf43cb-a740-4bbc-a2e1-0f8b4473157b">Vision Eternel</a> discography at <a href="MusicBrainz" title="MusicBrainz">MusicBrainz</a></li></ul>
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